A Quote by Camille Paglia

Foucault is the Cagliostro of our time. — © Camille Paglia
Foucault is the Cagliostro of our time.

Quote Topics

I'm interested in philosophical psychology, people like Nietzsche, Freud, Alcan, Foucault, Derrida.
Given Loughner's obsession with meaninglessness and language, maybe Foucault & Derrida deserve some fault here, too.
It's time for a recovery and reassessment of North American thinkers. Marshall McLuhan, Leslie Fiedler and Norman O. Brown are the linked triad I would substitute for Jacques Lacan, Jacques Derrida and Michel Foucault, whose work belongs to ravaged postwar Europe and whose ideas transfer poorly into the Anglo-American tradition.
Now is our time. It's our time to chase rainbows and build castles in the sky. It's our time to create a life that we love. Because someday, it will no longer be our time.
Foucault was the one person I met in France that I could talk to. He was a mensch. You know whether you agree with him or not because you know what he is saying.
I'm always fascinated by losers. Also, in my "Foucault's Pendulum," the main characters, who are in a way losers, they are more interesting than the winners.
America, this is our moment. This is our time. Our time to turn the page on the policies of the past. Our time to bring new energy and new ideas to the challenges we face. Our time to offer a new direction for the country we love.
Just as our view of work affects our real experience of it, so too does our view of leisure. If our mindset conceives of free time, hobby time, or family time as non-productive, then we will, in fact, make it a waste of time.
But any Time is with us. And if we take control to shape our attitude and reshape our memories, that time is always now, - our time for the best possible uses of our lives.
When I was 21 I wanted to write like Kafka. But, unfortunately for me, I wrote like a script editor for The Simpsons who'd briefly joined a religious cult and then discovered Foucault. Such is life.
When I was 21, I wanted to write like Kafka. But, unfortunately for me, I wrote like a script editor for 'The Simpsons' who'd briefly joined a religious cult and then discovered Foucault. Such is life.
I do identify the escape hatch through which Foucault eludes the charge that he himself is an author/authority, hence a tyrant. He establishes the category of "founder of discursivity" for the authors he likes. Slippery, perhaps, but you can see what he means.
There is a constant rush to judgment in Foucault. He is filled with specious generalizations, false categories, distortions, fudging, pretenses to knowledge in areas where he was ignorant. He had no ability whatsoever to distinguish among historical sources, where he makes terrible blunders.
I do not know what meaning classical studies could have for our time if they were not untimely that is to say, acting counter to our time and thereby acting on our time and, let us hope, for the benefit of a time to come.
The smouldering eroticism of great European actresses like Jeanne Moreau demonstrated to my generations women's archetypal mystery and glamour, completely missing from the totalitarian world-view of the misogynist Foucault. For me, the big French D is not Derrida, but Deneuve.
Jacques Derrida is a very important thinker and philosopher who has made serious contributions to both philosophy and literary criticism. Roland Barthes is the one I feel most affinity for, and Michel Foucault, well, his writing influenced my novel, 'Middlesex.'
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