A Quote by Camille Paglia

I remember turning 'The Sopranos' on once and within two minutes nearly throwing a brick through the screen. — © Camille Paglia
I remember turning 'The Sopranos' on once and within two minutes nearly throwing a brick through the screen.
Whenever you see riot footage on TV - you know, someone throwing a brick in Pakistan or somebody throwing a fiery piece of pooh through a Starbucks window up in Seattle - you ever see anybody throwing anything underhand? I think it just takes all the aggression out of the act.
In the [first] fifteen years [of field work] I can remember just ten times when I had really narrow escapes from death. Two were from drowning in typhoons, one was when our boat was charged by a wounded whale; once my wife and I were nearly eaten by wild dogs, once we were in great danger from fanatical lama priests; two were close calls when I fell over cliffs, once I was nearly caught by a huge python, and twice I might have been killed by bandits.
I'd rather have two minutes of screen time and have purpose than have 20 minutes of screen time in a separate track that makes no sense to the story.
I burned through all of my extra lives in a matter of minutes, and my two least-favorite words appeared on the screen: GAME OVER.
I take 10 minutes. I focus on what I'm most grateful for. Then I do a little prayer for three minutes, a blessing within myself through God, and then out to my family and friends and all those I serve. Then my last three minutes are the three things I want to achieve most. At the end of 10 minutes, you are wired. Everything in your life gets filtered through that.
There's nothing funnier for me than taking two characters and throwing them into a pressure cooker and letting them turn on each other. Especially if they already tend to be loud, aggressive, alpha types. That's sort of everything from 'The Honeymooners' to 'Goodfellas' to 'The Sopranos.'
I nearly failed when Virgin was in its infancy; I nearly failed in the early 1980s, and, of course, I have nearly died more than once trying to achieve a world record for boating or ballooning. But through a combination of luck and planning, both Virgin and I are still here.
It wasn't such a pleasant experience. We went through 14 hours with contractions every two minutes, no epidural, no nothing. Every two minutes, I would pass out. I went to the hospital on Saturday, and Levi was born on Monday.
Texting is addicting. Once you get emotionally involved with constant outside stimulation assaulting your brain, it is hard to stop looking at your machine every two minutes. Without rapid fire words appearing on a screen, you feel bored, not part of the action.
It was one of those sort of apocalyptic moments. I remember within ten minutes of seeing the graphical user interface stuff, just knowing that every computer would work this way someday. It was so obvious once you saw it. It didn't require tremendous intellect. It was so clear.
I had about the biggest, longest wish list anyone could have, and 99 percent of what I wanted to get on the screen we got on the screen within our schedule and within our budget and within our resources.
Monsters are very real. But they're not just creatures. Monsters are everywhere. They're people. They're nightmares...They are the things that we harbor within ourselves. If you remember one thing, even above remembering me, remember that there is not a monster dreamt that hasn't walked once within the soul of a man.
You look at the best players in the league, the best players at quarterback - I mean Drew Brees, Peyton Manning, the top names - none of those guys are throwing it through a brick wall. They'll have touch.
You say to a brick, 'What do you want, brick?' And brick says to you, 'I like an arch.' And you say to brick, 'Look, I want one, too, but arches are expensive and I can use a concrete lintel.' And then you say: 'What do you think of that, brick?' Brick says: 'I like an arch.'
Once upon a time there were two parents, two children, and a brick house with lilies in the yard. The parents died, the lilies wilted. One child disappeared. Then the other." Pg 225
There's nothing like sitting in a completely quiet room, and then the strings start up. It's like when you go to the cinema - the first two or three minutes of any film are amazing. Because the screen is so big. The scale. Directors can pretty much do anything for those first few minutes.
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