A Quote by Camille Paglia
If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them.
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First of all, I love women. But I lust after beautiful women in the way that I lust after a beautiful piece of sculpture - this will probably get me in trouble - or a beautiful car. I believe everyone's on a sliding scale of sexuality. There are moments where I am sexually attracted to women. But it doesn't overpower my first impulse; my lust for them is the same as my lust for beauty in all things.
The bonding of women that is woman-loving, or Gyn/affection, is very different from male bonding. Male bonding has been the glue of male dominance. It has been based upon recognition of the difference men see between themselves and women, and is a form of the behaviour, masculinity, that creates and maintains male power… Male comradeship/bonding depends upon energy drained from women.
It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
... if, as women, we accept a philosophy of history that asserts that women are by definition assimilated into the male universal,that we can understand our past through a male lens--if we are unaware that women even have a history--we live our lives similarly unanchored, drifting in response to a veering wind of myth and bias.
As far as I've been alive, women have always been more or less the symbol of sexuality rather than the male. We don't see the naked male body, as the symbol of sex.
Women are prevented by the threat and reality of male violence from entering public space on equal terms with male citizens.
We're used to seeing fantasy explored from a male perspective, and the way men might see sex, have sex, want sex and even be addicted to sex. But I don't think women pursuing that sexuality within themselves is something that's talked about or experienced as often.
In the middle-class United States, a veneer of "alternative lifestyles" disguises the reality that, here as everywhere, women's apparent "choices" whether or not to have children are still dependent on the far from neutral will of male legislators, jurists, a male medical and pharmaceutical profession, well-financed lobbies, including the prelates of the Catholic Church, and the political reality that women do not as yet have self-determination over our bodies and still live mostly in ignorance of our authentic physicality, our possible choices, our eroticism itself.
The dominant male is history. Could you see a male Lady Gaga? The closest we've got is Justin Bieber, who'd be locked up if he tried the stuff Gaga gets away with. Women are the only rock stars now. Adele is brutally honest. I want to be like her.
The utopian male concept which is the premise of male pornography is this--since manhood is established and confirmed over and against the brutalized bodies of women, men need not aggress against each other; in other words, women absorb male aggression so that men are safe from it.
You don’t know about Travis Fimmel? Oh, sister, you are deprived. He the finest man alive. (Simi) You lust for men? (Xirena) Well, I certainly don’t lust for women. (Simi) No, I mean you lust for humans? (Xirena) Well, don’t you? (Simi) Ew! What have you don’t to her? You have corrupted a good demon! (Xirena)
There are a lot of homely women in women’s studies. Preaching these anti-male, anti-sex sermons is a way for them to compensate for various heartaches - they’re just mad at the beautiful girls.
It is not male hatred of women but male fear of women that is the great universal.
Imagine what will happen to this nation if large numbers of American women start using the Wonderbra. It will be catastrophic. The male half of the population will be nothing but mindless drooling Zombies of Lust. Granted, this is also true now, but it will be even worse.
The terms 'male' and 'female' must be understood as representing no mere primitive opposition of sex to sex; but as defining two worlds of differing quality, in either of which men and women may jointly move and live.
Male playwrights, on the whole, are probably more interested in male characters. They need women characters to be the women in their lives or to be the domestic difficulty.
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