A Quote by Camille Paglia

I don't go to New York. I don't go to parties. I just do my business and study nature. My career is 28 years in an obscure art school, with limited staff and no perks. All I am is a teacher.
Do what you love. Go to a good art school and study with the best teachers. Move to New York and read Ask Mark Kostabi.
When I go to galleries in New York, I feel like I'm in school. I know that there's good contemporary conceptual art, but I have a really hard time caring about it. I'd rather look at images of people and things I can relate to. Then again, I didn't go to art school.
I thought I should go to New York because it was the place to go to study. I went and tried to get an application from the Juilliard School but they wouldn't even give me one because I didn't have my high school graduation.
When I got out of college I worked for DC comics. I worked on staff there and I also freelanced for them for about a decade. I spent two years on staff as an editor right out of college. I'm from Los Angeles and I came back here after a couple of years in New York, to go to Graduate School at USC. I wasn't thinking specifically about animation although while I'd worked at DC.
I moved to New York at 17 to go to school. At 24, I moved back to Ithaca, then moved back to New York at 28.
I went to school in New York and grew up in and out of New York. I love it, and I miss it, and every time I go back, I think, 'Why am I in Germany?' I do know that my career is really important to me, and in Germany, they've always been so much more supportive than my previous engagements in the dance world.
You don't have to go to New York and you don't have to go to LA or London. Go somewhere cheap. Go somewhere with free art museums and then just go to art museums.
This is New York. You gotta work from upstairs to downstairs! You gotta work both ends of the street to have a career. Because it's not just fabricating an artwork. Your works have to go out into the world; they have to go to market. This art on the hoof has to be moved; it's got to go to the slaughterhouse at some point. Keep those dogies rollin'!
In 1989 I came to New York to go to the School of Visual Arts. Then, after two years, I switched over to the New School for Social Research and did cultural anthropology in the graduate school there.
I had a place to go to university; I was going to study history. I was in New York doing 'Arcadia,' and I suddenly thought, 'It feels a bit weird to go from a New York stage to Manchester University.' It didn't quite feel right.
I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture.
I came to the U.S. in 1994 to learn English and go to business school, but I took only a few business courses at the State University of New York at Albany and didn't finish.
My mother was told she couldn't go to medical school because she was a woman and a Jew. So she became a teacher in the New York City public school system.
I like to do Italian food on Sunday nights. We'll either go somewhere, and the whole family will go, or we'll stay in our apartment and watch a movie and enjoy one of the huge perks of living in New York City, which is that you can have anything delivered.
What we've witnessed in the past 25 or 30 years is just incredible. We've birthed 30,000 or 40,000 restaurants. I used to go to Europe every year to get experience [and ideas]. I don't go to Europe anymore. I go to Oregon, I go to Washington, I go to Louisiana, I go to Little Rock, I go to Austin, I travel New York City. I don't go to Europe anymore.
I collect furniture and modern art. And I never go to any parties. I rather prefer to go around in nature.
This site uses cookies to ensure you get the best experience. More info...
Got it!