A Quote by Camille Perri

A lot of queer stories revolve around tragedy. — © Camille Perri
A lot of queer stories revolve around tragedy.
The questions I want to ask will revolve around humans, connection, relationships, family, and stories - what are the stories we tell ourselves and each other?
Revolve your world around the customer and more customers will revolve around you.
A lot of queer relationships on television and in films are met with extreme tragedy.
I personally have a hard time with a lot of the creation stories that revolve around the creator being a white man. It seems very limiting to me. So God to me is... so limitless and magical and loving and beautiful.
It's important to tell queer stories and to show queer relationships in a very normal setting.
I want people to read them and enjoy the experience and feel entertained. A lot of the best stories revolve around strange people, people whose decisions and logic and circumstances are not easily understood.
Light and funny has a more compelling quality when you're younger. But I haven't abandoned the genre: I love falling down; I love Lucille Ball. It's just that a lot of those stories revolve around problems that I can't convincingly portray at this age.
A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
Innumerable suns exist; innumerable earths revolve around these suns in a manner similar to the way the seven planets revolve around our sun. Living beings inhabit these worlds.
Personally, I like narrating stories that revolve around something new. I'd find it very boring otherwise.
I like newspaper stories that are incomplete, that give me room to imagine the rest. It's no good to me reading about something that's all neatly solved and wrapped up. That's why so many of my stories revolve around human psychology, around why someone commits a certain crime, or series of crimes. I don't profess to know the answers but I like to explore the possibilities.
A lot of different people under the queer umbrella come together but Like there's something inherently queer about the heist genre, in some way. It's about just flying under the radar and procuring something furtively or, you know, that thing that is just so fun and high-stakes in the way that a lot of queer experiences are.
There are recurring elements in popularized fairy tales, such as absent parents, some sort of struggle, a transformation, and a marriage. If you look at a range of stories, you find many stories about marriage, sexual initiation, abandonment. The plots often revolve around what to me seem to be elemental fears and desires.
The most pivotal moments in people's lives revolve around emotions. Emotions make stories powerful.
It is good that in our TV industry, stories revolve around female characters more than male characters but there should be no sex war.
After the 'Fallon' set, I had a lot of queer people message me about how much it meant to see a queer perspective on late night TV.
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