A Quote by Camille Pissarro

It is the brushwork of the right value and color which should produce the drawing. — © Camille Pissarro
It is the brushwork of the right value and color which should produce the drawing.
I shun drawing which is too easily formulated. It does not seem fertilized enough to produce consequences, and a drawing should be a provider of consequences.
Drawing and color are not separate at all; in so far as you paint, you draw. The more color harmonizes, the more exact the drawing becomes. When the color achieves richness, the form attains its fullness also
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
The subject should be observed more for shape and color than for drawing... precise drawing is dry and hampers the impression of the whole, it destroys all sensations.
Peace of mind produces right values, right values produce right thoughts. Right thoughts produce right actions and right actions produce work which will be a material reflection for others to see of the serenity at the center of it all.
You can eliminate color and still have a painting that works, but you must have drawing, value and design.
As the revenue of the farmer is realized in raw produce, or in the value of raw produce, he is interested, as well as the landlord, in its high exchangeable value, but a low price of produce may be compensated to him by a great additional quantity.
It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one.
So really what I am trying to do is create and understand form. But then too, color enters into it because a lot of things are color changes without a value change, which wouldn't show up if you were just using a non-color medium.
Since light is best expressed through differences in color quality, color should not be handled as a tonal gradation, to produce the effect of light.
I don't think paper will go away. I do believe that the value of paper will change, and Xerox is working on changing that value. Consider a color page. Actual life is in color, but you keep reproducing it in black and white. You remove value. It's a bad thing to do.
Gold and silver, like other commodities, have an intrinsic value, which is not arbitrary, but is dependent on their scarcity, the quantity of labour bestowed in procuring them, and the value of the capital employed in the mines which produce them.
You can only learn to paint by drawing, for drawing is a way of reserving a place for color in advance.
At that time, I was still in an experimental stage, trying to blend Western drawing techniques and Chinese brushwork together. It was harder for me back then... But that piece is special and important, because it represents vigilance and innocence; the kind of precious innocence only present at the beginning of a new artistic exploration.
Form, color, composition, drawing, are auxiliaries, any one of which... can be dispensed with.
Drawing is the cornerstone of the graphic, plastic arts. Drawing is the coordination of line, tone, and color symbols into formations that express the artist's thought.
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