A Quote by Campbell Scott

Movies, I don't really get the bad guys. In theater, I get more bad guys. Both audiences and directors are more willing... to allow people to stretch. In movies, you do one thing, and then that's their reference.
Let's say you would see me in a lot more big movies had I done movies that I'd been asked to do playing bad guys. Now that I have a child on the way, I think that you'll probably be seeing me play more bad guys. If that's what's going to put bread on the table, that's what I'm going to be doing.
A movie is better than real life because in the movies only the bad guys die. Or you can pick the good movies where the bad guys die and only those. If you get tricked and a good person dies in the movie then you can rewrite it in your head so the good person lives and the part about death is superfluous.
You don't just have to see superhero movies. Ultimately, those movies are westerns - superheroes are good guys fighting bad guys in a landscape. In westerns, that divide couldn't be any more clear, but the only superpower you have is that you're a quicker shot than the other guy.
I was living in London and I thought, 'There's nothing here for me anymore.' I don't want to become this actor who's going to be doing this occasional good work in the theater and then ever diminishing bad television. I thought I'd rather do bad movies than bad television because you get more money for it.
To us, being the bad guys is cool, because we always root for the bad guys in the movies.
A boxing match is like a cowboy movie. There's got to be good guys and there's got to be bad guys. And that's what people pay for - to see the bad guys get beat.
The older I get the more I realize there's no real good guys or real bad guys, and I'm curious about how the good guys got good and how the bad guys got bad.
Films are a very tangible thing. It's making something with your hands. I think all of these guys - Roger and the whole cast of this movie - what they did was they were willing to make mistakes. They were willing to make movies that were really bad. But they learned.
In America, people really love movies here and it's part of the culture. Even in Germany, still sometimes, the theater is always bigger than movies. It's more art. Movies are more popcorn. Here, movies are really an art form.
I was always the bad guy in westerns. I played more bad guys than you can shake a stick at until I played the Professor. Then I couldn't get a job being a bad guy.
I am not somebody who just says let's beat up on the bad guys. No. I want to summon the good guys and give people the incentives and opportunities to actually grow this economy, put more people to work, get the middle class really feeling like they're back in business.
The more romance novelists that are out there, making romanticized ideas of vampirism for the kids, the more people want to see a real action movie, putting the bad guys where they belong, as the bad guys, and looking for a hero to come along and defend our very souls.
What makes 'The Wire' a beautiful story is how true to life it is. In other shows, you have a good guy and a bad guy. In 'The Wire,' bad guys are trying to be good, good guys are doing bad. You have real life. The people who do bad get bad things done to them.
My general philosophy of playing bad guys, which I've sort of done, you know, half the time is, you know, very few people who we view as bad guys get out of bed and think, 'What evil, terrible thing am I going to do today?' Most people see their motivations as justified - as, you know, justifying whatever they do.
I like movies. Movies have afforded me a modicum of luxuries. The thing about the movies is, if you're bad in a movie, you're bad forever.
Most of the bad guys in the real world don't know that they are bad guys. You don't get a flashing warning sign that you're about to damn yourself. It sneaks up on you when you aren't looking.
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