A Quote by Camryn Manheim

One of the things I did when I was in New York, which has a wonderful deaf community, is I have worked on making Broadway more accessible to deaf people. — © Camryn Manheim
One of the things I did when I was in New York, which has a wonderful deaf community, is I have worked on making Broadway more accessible to deaf people.
I am fourth-generation deaf, which means everyone in my immediate family is deaf. So I grew up always having 100 percent accessibility to language and communication, which was wonderful and something so many deaf people don't have.
I am fourth-generation deaf, which means everyone in my immediate family is deaf. So I grew up always having 100 percent accessibility to language and communication, which was wonderful and something so many deaf people dont have.
I would love to do a talk show. Naturally, I would love to do more films. I'd love to be able to see casting directors more willing to put in a character who happens to be deaf. I'm not talking about doing deaf storylines, but putting in deaf characters. I'd love to be able to do Broadway.
I've been involved in the deaf community for years, and my friends in the community that are actors or performers get very frustrated when they see hearing people portraying a deaf role.
There are many issues within the deaf community but, for me, none more important than access to education for deaf children.
I started to realize that there are a lot of people who are unaware of deaf culture, and I've been given a great platform to reframe the deaf community.
I know a little bit about deaf culture because a friend of mine has been in the deaf culture for awhile. Over the course of 25 years, she and I have talked about many of the issues and concerns for deaf people and deaf culture.
The deaf community is nearly never portrayed accurately on television/film because most writers never took the time to immerse themselves in the deaf culture before portraying it on television. They also never got to know their deaf actors.
I grew up with deaf teachers, and I thought all deaf children should have exposure to deaf educators.
I know what it's like to be growing up, called 'deaf and mute' and 'deaf and dumb.' They're words that are very degrading and demeaning to people who are deaf and hard of hearing. It's almost... it's almost libelous, if you want to say that.
We do need more deaf people in Hollywood. But I don't think that deaf people always have to play a deaf role. I think we can play different roles. We need to see more diversity period. More people of color. More disabled people. More gender diversity. All kinds of diversity.
It was intimidating to play a deaf character. There's a whole culture in the deaf community and I really wanted to know a lot about that and honor it in the work.
I like the iPhone, the iPad, all the various members of that family. But I like all the various technologies that are becoming available to make the world more accessible to people who are blind and with low vision. I also like that more and more people are committing themselves to close captioning so the deaf can really know what's going on. I like the position of making buildings more accessible by having ramps and various ways people who are paraplegic to be able to get around.
I know deaf people. I have discussed the issues with them I've also thought about them a lot so I have some insights that go a little further than people who haven't had contact with the deaf community.
It's exciting to share an art form that I would never have imagined sharing with the deaf community. Doing musicals, it's not like, 'Oh, I'll do a musical with a deaf person.'
There are two worlds: the deaf world and the hearing world. There are some people in the deaf community that feel that hearing people look down on us.
This site uses cookies to ensure you get the best experience. More info...
Got it!