A Quote by Candace Bushnell

I have to tell you, TV is an incredibly difficult medium. The most challenging show to do is the hour long dramedy. It's a very tricky format. — © Candace Bushnell
I have to tell you, TV is an incredibly difficult medium. The most challenging show to do is the hour long dramedy. It's a very tricky format.
It's Twenty20, anything can happen in the format. It's very difficult to predict and pick a favourite team in this format.
TV show is always challenging. It's challenging when you have all of the time and money in the world, and it's more challenging when you have less money.
Videos are a very difficult medium to be good at and also a difficult medium to consume quickly.
I'm incredibly proud to bring back 'Tom Green Live' for a third season on AXS TV. AXS TV's commitment to unique, out-of-the-box humor, in a completely open and uncensored format, is unparalleled.
I did an episode on the TV show 'Awake,' and I thought, 'Wow, that's really hard.' To do that so fast and to do that, if it's very successful, for nine months out of the year, for a bunch of good years, that's challenging. But, it was interesting. It's a good show. You'd have to have a very good character, I guess.
There are so many people that have come up to me during our shows and tell me: 'The hour that we are watching your show is the hour that my kids are happiest and are smiling, they are laughing,' and that is what I long to do.
After three years in L.A., I began to dream of my glory days on the boards. But it's very difficult to make a living as a theater actor in New York, which is why I moved out here, and I always had an ambition to work in television. I am a great admirer of the format, and I think it's how we tell long stories.
Remember: TV is a format, film is a format, and books are a format.
You can tell young actors it's going to be very difficult, but there's no way you can understand the difficulties and the rewards through description. You have to cellularly experience it. It's a very difficult career in the long run, but at the same time, there's no long-haul career I'd rather be involved with.
When you do 22 episodes of a network show, it's incredibly useful to have a format that gives you a jumping-off point for a story.
I had told my agents that I never wanted to do an hour-long TV show. I said, "I'm not that stupid." Because it's the worst lifestyle in Hollywood.
What's neat about TV is you get really rich, an opportunity to tell really rich stories over the course of 20 hours. Film is cool because it's an hour and a half to two hours. You go on an adventure and by the end it's all cleaned up. Maybe in a franchise you have three chapters of a great story but in TV you can really get deep. You have more time to tell stories so I would definitely not rule out doing television in the future because I think it's a great medium for telling stories.
BoJack' is a very much a format-based show. The story should always match the format, but I don't necessarily think the story has to come first.
Probably the most difficult things were my favorite parts. The make-up and the big fight sequence at the end of the movie were very difficult but really fun and challenging.
I'm very humble in terms of knowing that television is an extraordinary collaborative medium and that one person alone cannot make a great TV show.
You can just go to a magic shop or magic builder and buy what most magicians do, but that's not what I'm about. With 'Mindfreak' on television and 'Believe' live, I want to bring things that people have never seen before. That process is very difficult. It's very challenging, and you never know how long it's going to take - months or years.
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