A Quote by Candice Accola
Weezer's 'El Scorcho.' I'm in a '90s cover band called 'Straight 2 Video' with members of the crew from 'The Vampire Diaries,' and we played this song at our wrap party. I grin from ear to ear every time I scream this song in my car.
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We haven't started playing it live yet but we're going to. And then 'Warpaint' is a song that's really, really close to me because it's actually - we've had that song for many years now and it's changed so many times, it's been through every reincarnation of our band with every drummer, with sometimes with me playing drums, it was when we were a three-piece, every incarnation of the band that we've had we have played that song.
I was in band that played mostly covers for a while, and the bands that we would cover were, like, the alternative rock bands of that day: we did a Jane's Addiction song and a Faith No More song. All the kind of alternative radio of that time, the late '80s, basically.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
I have a condition called Menieres disease which is a problem with fluid retention in the inner ear. It has four symptoms: ringing in the ear, pressure in the ear, fluctuating hearing loss, and attacks of vertigo.
You gotta make sure the listener is listening to you, so if you put it into a song, often times, if the song is striking enough, then you can really deliver the story most effectively while keeping the ear of the listener the whole time.
The first song I heard from me was Meek Mill ["I Don't Know"], it was his first single before he went (to jail). I remember the first time I heard it was like eleven thirty at night, and I was like, "Yo, this is crazy!" And, I was smiling from ear to ear.
I always communicate musically. I want my band not only to learn the form and feel of the song by ear, like I do, but also have the freedom to contribute.
I feel like I always had an ear. I have the ability and the gift to hear a song and really play it in a matter of five to 10 minutes and make my own version out of it. So it's always been easy playing by ear.
To the U.S. and the world, I'm just known as some funny song and some funny music, some funny video guy. But in Korea I'm doing one of the biggest concerts; it's not a dance music concert. I'm playing with the band, so I change my every song to a rock song.
I was in a karaoke video in 1991, for a song called 'Sukiyaki,' which is a very famous Japanese song, and I've actually heard from people that they've been in bars in Asia where they've seen me come up in the 'Sukiyaki' video that they play behind you. I'm in that. I'm in a karaoke video.
Around the edge of the crowd was a little 13-year-old bouncing up and down with a grin that went from ear to ear. She was so happy for her sister. It was a charming moment, and I think thats the essence of what Emily Hughes is.
"Straight Edge" was a song about my life. There was no structure, no premise as if I was forming a club. There were no tenets. I mean I wrote a song called "Straight Edge," I'll take that, but the song was about my life the way I wanted to live it.
First, in a love song, or any song for that matter, using a plastic word like "inhibitions" is just completely without feel or texture. It demonstrates a tin ear for communication.
I love the song 'El Rey.' And for years, I never knew what the song was totally about. It was something new for me. I'd never sung a song in Spanish before. Then I got the translation and saw what a really cool song it was.
I wrote 'Lights' a long, long time ago. And I expected it to be on the album, because it was - I wrote it with 'Biff' Stannard. And he wrote every single Spice Girls song and every single pop song of the 90s, basically. So I thought, you know, I was really lucky to work with him, but I didn't think it would be a big song for some reason.
Am I solemn? I had an idea I was grinning from ear to ear." "You look as if you were taking me to a prayer-meeting or a funeral. If that's a grin your ears are very near together." "Should you like me to dance a hornpipe on the deck?" "Pray do, and I'll carry round your hat. It'll pay the expenses of our journey.
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