A Quote by Candice Olson

There are designers who say, 'Oh! I see wallpaper and blue carpet.' I usually start by knocking down walls. 'You thought you just needed some new drapes? Well, guess what: That wall's gotta go.'
It's kind of like being a writer in the sense that you always hear other writers say, 'Well, the best way to start writing is to just start writing.' The same goes for improvisation. You want to start improvising, just start playing notes. And the more you do that, the more comfortable - or not comfortable - but I guess how you're able to adapt to situations. You become more familiar with your instrument. As soon as you have a musical thought, you can go ahead and add to that musical thought and know your way around.
How do you like to go up in a swing, Up in the air so blue? Oh, I do think it the pleasantest thing Ever a child can do! Up in the air and over the wall, Till I can see so wide, River and trees and cattle and all Over the countryside. Till I look down on the garden green, Down on the roof so brown- Up in the air I go flying again, Up in the air and down!
In a small powder room, the inclination is to go with a light wall color. My trick is to do the opposite - such as a patterned wallpaper or a deep color on the walls. It's more interesting and makes a design statement.
It's just never been in my nature to go out there and go on a red carpet to say, 'Oh, publicize me!'
For some people, life is the process of knocking through walls to get out. For others, it is the building of walls.
I talk to fashion designers and say I want some money to save the rainforest, and they say, 'Oh, I agree with you completely Vivienne. Yes, climate change, it's definitely happening,' but they don't feel that they can do anything about it; they don't even think 'Well let's stop it!'
When you see somebody walking down the street wearing a Superman t-shirt, you just want to shoot them in the chest ... when they start to bleed go, I guess not
I think I gotta just keep working on knocking down shots and getting stronger.
She knew he was angry, but she couldn't stop laughing. "Forgive me, Po. I was only trying to get your attention." "And I suppose it never occurs to you to start small. If I told you my roof needed rebuilding, you'd start by knocking down the house.
Whenever you go out to eat you gotta get the appetizer. 'Cause the appetizer's just an excuse for an extra meal. You're always like "Lets see, I will start with the 80 buffalo wings...and do you have a low-cal blue cheese? 'Cause I don't wanna fill up too much."
I don't waste time putting money down, I just go straight to who got it and buy it in cash. Pussy so good that you gotta come see me on tour and you gotta fly in first class.
When an English man speaks well, for example now, and this is another way of putting us down, they say he's "eloquent" you see. "Oh, eloquent chap they are!" An Irish person speak well, they say, "Ah, you have the gift of the gab." "Ah, you kissed the blarney stone." You see, all of this putting us down.
When everything starts breaking down, the Taos Indians say, go into your house, and pull the drapes so you don't see all the craziness going on, which could cause fear. And just stay in your heart and let Mother Earth and all the energies that you are intimately part of do their job and stay in trust. It is easy to say and harder to do. It is just like when you get cancer or something like that and people are told that they are going to die, and then they get really worried. But we are immortal. We've always been alive .
This is New York. You gotta work from upstairs to downstairs! You gotta work both ends of the street to have a career. Because it's not just fabricating an artwork. Your works have to go out into the world; they have to go to market. This art on the hoof has to be moved; it's got to go to the slaughterhouse at some point. Keep those dogies rollin'!
When they say, 'Well, you gotta do some interviews on TV,' I went, 'Oh, I like to watch TV, but I don't wanna be on it.'
With blue vinyl-tile floor, pale-green wainscoating, pink walls, a yellow ceiling, and orange-and-white stork-patterned drapes, the expectant fathers' lounge churned with the negative energy of color overload. It would have served well as the nervous-making set for a nightmare about a children's-show host who led a secret life as an ax murderer. The chain-smoking clown didn't improve the ambience.
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