A Quote by Candice Patton

For me, Iris West was traditionally white in the comic books. So, you know, comic book fans are very opinionated, very vocal. So it was very scary stepping into that role when I started the show.
The comic book world is so dangerous, you know what I mean? You say one thing and people - they're ravenous - they are very opinionated fans. But they're great fans.
It's very strange for me to do a comic book for my first movie. But I used to collect - and I love - comic books.
I wanted to do comic books... as a comic book artist, as an illustrator. But I'm not very good so I thought I should do something else! So I went to a film school when I was seventeen and came out when I was nineteen.
I came in with a very specific idea about what a Doctor Strange movie should be, which was rooted in the comics, and I thought it should be as weird and as visually ambitious compared to modern comic book movies as the comic was when it showed up in the '60s compared to other comic books at the time.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
The first comic I read was a Spider-Man comic, and my introduction to it was through my family. My cousins are a lot older than me, and they've been huge comic book fans, from the jump.
I think musical theater fans - obsessive fans - are very much like Comic Con fans in our personalities. We're very possessive, and we're very obsessive, and we're very critical. So don't screw with our stuff.
To paint comic books as childish and illiterate is lazy. A lot of comic books are very literate - unlike most films.
My favorite comic book growing up was 'Thor.' It was one of my three, favorite comic books. Obviously, Marvel is such a huge name, but for me, to book a role in a Marvel movie, and for it to be 'Thor.' When my manager told me I booked 'Thor,' I literally didn't know what to say.
Hollywood wanted a certain type of comic - that Def Jam comedy style of comic that was very loud, very brash, very much from the ghetto, had that sensibility.
You either ignore the comic book and make a great movie or you stay very close to the comic book.
Kerry James Marshall especially was a huge influence on me in graduate school, as were Wangechi Mutu and Julie Mehretu. These artists are titans. My education was also very much in comic books, so I've been going to comic book events in New York and have met a few artists there.
Preparing the animation is close to the comic book process but there are plenty of problems. It's very interesting, but it's also sometimes a pain in the arse, especially because it's so very long. Something that takes 10 minutes in comic book form can take 10 months in film form. But I love the results.
To me, my favorite comic book movies were the ones that were never based on comic books, like Unforgiven. That's more the kind of thing that get us inspired. Usually when you say something's a comic book movie, it means you turn on the purple and green lights. Suddenly that means it's more like a comic book, and It's not really like that.
I grew up reading comic books. Super hero comic books, Archie comic books, horror comic books, you name it.
I was a huge comic book fan as a kid. The only problem I had with comic books is how expensive they got. I didn't have a lot of money, so I had to be very specific about what I wanted to collect. I think they're all somewhere in the basement of my folks' house.
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