A Quote by Carel Struycken

Even before the movie was made, people already thought I was the original Lurch. — © Carel Struycken
Even before the movie was made, people already thought I was the original Lurch.
I always feel I have made unfilmable books. I even felt that way about a book of mine that was later made into a movie. But my wife, who has made two films, thinks this one would make a very original film. I'm all for original films.
I have thought about Happy Days made into a movie. As far as the original cast not being a part of it, wow, I don't know who could be who! I just don't see it going in that direction. I can see the original cast doing the movie very easily though.
I have thought about Happy Days made into a movie. As far as the original cast not being a part of it, wow, I don't know who could be who!I just don't see it going in that direction. I can see the original cast doing the movie very easily though.
There's nothing really original. Alien was a B-movie. Five directors passed on it before me. Because I was into Heavy Metal, I read it, and thought, "Wow, I want to do this." I was on a plane to Hollywood in 22 hours. It was a B-movie and was elevated to an A-plus movie by sheer good taste.
Original thought is like original sin: both happened before you were born to people you could not have possibly met.
No original thought still exists. People are original, each one of them. The same ideas that others had before you are waiting for you to bring them back to life in a new way. The part of who you are that is left behind within these old ideas is what makes them original all over again.
I've made movies that I thought were good. I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, I wish more people saw that - because you're good. And it just works out that the movie gets lost. But that's show business.
You never want to have a movie be derivative, because that's the worst if you ask me. I always want to be in original material, or an original idea, or an original vision, rather than a rehash of some other movie.
It's not like the original movie where you thought it was the mother committing the murders, but it was actually the son. I don't think it's possible to create the kind of shock today that we created in 1959. And I don't even want to try.
The opening scene from 'Sharknado' I think was better than the original 'Jaws' movie. It was scarier, it was bloodier, and it had more high-anxiety moments than the original 'Jaws' movie. And that movie kept me out of the ocean for a summer.
I've had stuff of mine adapted by other people, so I've come to the conclusion that a movie is a different form from a novel and there is no such thing as a true adaptation. You have to adapt to this other thing and do it right. But that voice of the original should somehow still be there, and the original intent should still be there. So if the original writer saw the movie, the writer would say, "Well, that's not what I wrote, but that's what I meant." And if you can do that, I think you've done your job as a screenwriter.
I've always sensed what a script should sound like - even before the movie's been made
We did the original 'Stargate' as an independent movie. It was a surprise success. Shortly before the movie came out, the financiers who were frightened the movie might not do well sold the film to MGM. When the film came out, it was a hit and spawned TV shows.
I was very blessed it was Steven Spielberg who made the movie. He was very much into the redemption side of the story. They asked him in an interview why he had owned the rights to this story for 20 years before he made the movie, and he said, 'I wanted to see what the real Frank Abagnale did with his life before I immortalised him on film.'
Before I even put pen to paper, in any sense, I'm like, "What's the coolest MacGuffin you can come up with? What are the last frames of this series?" The secret that's behind this entire thing is to be as evocative, original, thought-provoking and timely.
During his fifteen years in Italy, Hannibal never had enough elephants to suit him. Most of the original group succumbed to the climate, and he was always begging Carthage for more, but the people at home were stingy. They would ask if he thought they were made of elephants and what had he done with the elephants they sent before.
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