If there is a problem somewhere, this is what happens. Three people will try to do something concrete to settle the issue. Ten people will give a lecture analyzing what the three are doing. One hundred people will commend or condemn the ten for their lecture. One thousand people will argue about the problem. And one person-only one- will involve himself so deeply in the true solution that he is too busy to listen to any of it. Now...which person are you?
The notion that any one person can describe 'what really happened' is an absurdity. If ten - or a hundred - people witness an event, there will be ten - or a hundred - different versions of what took place. What we see and how we interpret it depends entirely upon our individual past experience.
Not too many people work in a job where, waiting out there are three or four hundred people who are paid to tear apart what you've done. And often they are brighter than you are, or they know more about the subject than you do, or they wish they had written a book themselves, or done a lot better. Or they just don't like it! And you have to live with it.
I'm not trying to clock scores in this lifetime, it's just that things are better now than they were like five, ten years ago. Music has gotten a lot better. There's a lot of people who are committed to - soulfully.
If it could save a person's life, could you find a way to save ten seconds off the boot time? If there were five million people using the Mac, and it took ten seconds extra to turn it on every day, that added up to three hundred million or so hours per year people would save, which was the equivalent of at least one hundred lifetimes saved per year.
Indonesia's diversity is formidable: some thirteen and a half thousand islands, two hundred and fifty million people, around three hundred and sixty ethnic groups, and more than seven hundred languages.
From the very beginning, we were all a hundred and ten percent about the music, from the very early days when we could barely play our instruments, and we were just covering other people's songs when we were in high school.
That's the thing: when I'm on stage, I don't care; there could be ten people there, there could be ten million people there. But if I'm offstage, I'm, like, counting the people. I know exactly where everyone's standing, how far they are from me.
Last year in the U.S. alone more than nine hundred thousand people were reported missing and not found... That's out of three hundred million, total population. That breaks down to about one person in three hundred and twenty-five vanishing. Every year.... Maybe it's a coincidence, but it's almost the same loss ratio experienced by herd animals on the African savannah to large predators.
There's nothing more vulnerable than just standing in front of a thousand people, or ten thousand people, and doing your best to entertain them, touch them in some way.
Mostly, we authors must repeat ourselves - that's the truth. We have two or three great and moving experiences in our lives - experiences so great and moving that it doesn't seem at the time anyone else has been so caught up and so pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before. Then we learn our trade, well or less well, and we tell our two or three stories - each time in a new disguise - maybe ten times, maybe a hundred, as long as people will listen.
High people, sir, are the best; take a hundred ladies of quality, you'll find them better wives, better mothers, more willing to sacrifice their own pleasures to their children, than a hundred other woman.
I do believe young people should be obligated to try different types of music - that is what education is. But once you're in a situation as an adult, it doesn't benefit anybody - at least in my experience - to force music on people that they don't like or do not have an interest in - whether it's three-hundred years old or newly written.
There is one thing you have got to learn about our movement. Three people are better than no people.
I'm living in a world that was created a hundred years ago with vaudeville and people traveling around and medicine shows and things and making live music on stage and I'm still doing that. I like it that way. I like to present something to people that's had 40 years of being honed and perfected. It's something that you're not going to find with an artist who's been around for two or three years, or even ten years.
This music business can suck all the love out of you, all the compassion for people - you can start to think you're better than them. But I want to continue to let people know that I'm no better and no worse, I'm just like you.