A Quote by Carey Mulligan

On film sets I can see everyone, and I really still find that so difficult. — © Carey Mulligan
On film sets I can see everyone, and I really still find that so difficult.
It's very rare to get a film script that has good dialogue. A lot of the time, you spend on film sets really fighting to find out how to say the words.
The nuts and bolts of shooting a film and writing a film are still really difficult. But what makes it easier is the fact that you know you're going to go to work with your best mate.
I find theatre easier than films, because it gives you an environment of a dark hall, the audience concentrating with you... whereas, film sets are not conducive to long rehearsals, and it is difficult to pick up the emotions amidst all that is going on around you.
In opera, everyone's watching from a fixed viewpoint, and that really challenges you. Lighting, the sets, stage groupings, the music-but doesn't relate too much to film.
It's hard to see a film one time and really "get it," and write fully and intelligently about it. That's a review. That's not film criticism. And there's so many expectations involved, too. You're going in to see the latest Martin Scorsese or Stanley Kubrick film, you really have high hopes, and you can't help but find that it's not exactly what you had in your head going in. Until you can watch it again, you can't accept the work for what it intends to be. It takes at least a second viewing.
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
I still find it difficult to believe that in just six months, Bidaai' has reached such a stage. Everyone in the production house has a major role to play in the success of this show, not just the actors. It's unbelievable how everyone is so dedicated here.
I've been acting since I was 10. At age 14, 15 and 16 it's difficult to find roles and to find yourself even and when everyone's eyes are on you, it's difficult.
I've been acting since I was 10. At age 14, 15 and 16, it's difficult to find roles and to find yourself, even, and when everyone's eyes are on you, it's difficult.
I applied [to film school] figuring, "I need to find some structure for myself. I need to find a way to figure out what kind of filmmaker I want to be." And that is what film school provides you with. It'll teach you the basics of how a production works and the technical side of how to put everything together, but you could also learn that by working on film sets.
Dating is really hard because everyone puts on a front. It's really difficult to see who is who, so it is important to be yourself.
I have to work with the team at Blizzard and the producers on the film and convince them that, as a fan, I have a unique and hopefully entertaining way of taking people through the first contact story, which is really what sets up 'Warcraft' for everyone else.
I think the biggest challenge was being aware of a certain audience that was going to see this film [lone survivor]. There's a big difference from a typical movie, journalists and critics and film goers that go see it find that, that's the general experience you have as a filmmaker. So that just kind of proves my point that there's a really different audience.
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
I find it really difficult when you make a movie where it is set in Russia and everyone speaks in English. It drives me crazy.
I still really love acting. I find it really challenging. And I really love film; it's a lot of fun.
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