A Quote by Carice van Houten

I come from Holland, and there's a lot of nudity in film there. — © Carice van Houten
I come from Holland, and there's a lot of nudity in film there.
Male nudity, full-frontal nudity, has always been considered a lot more taboo than female nudity. As far back as I can remember, there's been a double standard between men and women. I think it's time that men get equal time in terms of nudity.
I'm very free with my sexuality, but not everywhere all the time. I pick and choose when I do nudity, and who I do it for when I'm working, and when I'm doing it. I've done nudity twice in a film.
I avoided nudity unless a film couldn't be told without those scenes. If you look at my films, few of them have that element, yet nudity and male fantasies have become emblematic of my work.
I avoided nudity unless a film couldnt be told without those scenes. If you look at my films, few of them have that element, yet nudity and male fantasies have become emblematic of my work.
I don't believe in nudity for nudity's sake, but it's really beautiful when it's done well, when it's within a story. I'm very comfortable with my body. I grew up mostly in France, where nudity is not taboo.
I'm kind of well-known in Holland, which is nice. But in Holland, we're down to earth; there are no paparazzi in my garden and no autograph hunters at the door. We have 'Strictly Come Dancing,' but I've not been asked.
I think it's important to sort of normalize male nudity on screen, because women are always naked. And none of the male nudity in the film, I think, is unnecessarily provocative. It's meant to be everyday.
There is nudity, of course striptease is an essential component of burlesque but it's much more complex and intelligent than a display of nudity for nudity itself. And its often laugh-out-loud funny.
I'm a shareholder in three networks in Holland. That allows me to put ideas that we create in Holland on air in Holland, and if it works, then we distribute the show's format globally.
I have a big following in Holland and I think they will come to a lot of the races.
When I lived in Holland, it was a lot of television, watching Netflix all the time. You eat at 6 o'clock, 7 o'clock, you are finished at 8, and then you go lay down. You rest. That's what I did in Holland.
[The Dutch] people want [refugees to be safe] but don't come here. And don't forget, people are very angry about that, that most of the people who came to Holland were younger people, often young men who crossed before coming to Holland six of seven safe countries in order to be in Holland. If they just wanted to be safe, they would have stopped at Turkey or maybe if you find Turkey unsafe, in Greece.
Holland is a really small country, but with a very strong club and festival scene. Dance music has been huge in Holland since the late eighties. So there were a lot of opportunities for producers and DJs to release records and play live.
I think Amsterdam is to Holland what New York is to America in a sense. It's a metropolis, so it's representative of Holland, but only a part of it - you know, it's more extreme, there's more happening, it's more liberal and more daring than the countryside in Holland is.
The Moroccan scum in Holland... once again not all are scum... but there is a lot of Moroccan scum in Holland who make the streets unsafe, mostly young people... and that should change.
I went back to Holland and I thought 'Ok, now I made so many movies in Hollywood, I know how special effects work, how to do action for not a lot of money, and I have all of these skills now.' It was something in Holland that nobody dared to touch.
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