A Quote by Caridad Svich
What was once a cottage industry dedicated to the discovery and development of new voices and works has become instead the raison d'etre for many a playwright's existence . . .. And since readings have become playwrights' main source of exposure, the nature of playwriting has changed to fit readings' needs. Investigation into what is eminently theatrical has been substituted - more and more these days - by what can simply come across and read well.
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I love doing the readings. The readings are the fun bits... The readings are probably the things that actually keep me going on these. If I couldn't do the readings, I wouldn't do the [signing] tours. I get to stand up there and read to a bunch of adults who in many cases nobody's read to in years, since they were about five. They just squat on the floor. That's enormously enjoyable.
There is more both of beauty and of raison d'etre in the works of nature- than in those of art.
When I'm out of town, I always try to get some readings or some type of new information to where I'm learning more about Islam, just to become the best Muslim I can become.
Developmental readings are actually the best part of being an actor for me. I once spent a month doing so many developmental readings at the Roundabout that we all joked that I was an 'artist in residence' there. But to me, it's such a special time to be involved with a new play.
A rather ugly thing starts happening: the playwright finds himself knocked down for works that quite often are just as good or better than the works he's been praised for previously. And a lot of playwrights become confused by this and they start doing imitations of what they've done before, or they try to do something entirely different, in which case they get accused by the same critics of not doing what they used to do so well.
To become a person does not necessarily mean to be well adjusted, well adapted, approved of by others. It means to become who you are. We are meant to become more eccentric, more peculiar, more odd. We are not meant just to fit in. We are here to be different. We are here to be the individual.
Playwrights are naturally wary and protective - God, who's more protective than a playwright? You read a play, the playwright wants to hear from you immediately.
A lot of ancient poetry sees in nature a reflection of human emotions, and in a post-industrialized era, once people have become more aware of the necessity of a more harmonious relation between man and nature, we need to build cities which can connect with human spiritual needs instead of being merely functional.
I'm sensitive about the criticism [for not producing new playwrights], yes. But I'm hip to it as well. I read 500 new plays a year, and 99.99 percent of them are not good. I see no reason to do a new play just because it's new. It's like kissing your sister, a virtue, but so what? It seems to me more worthwhile to take a proven playwright and say, Write something for us.
It has changed, quite a lot. It is very different now, there are quicker men, they are taller, stronger, have great stamina. The balls have also become faster. Tennis has now become a power sport. There is more depth in the game, as well, there are many more players than there used to be. The entire character of the game has changed.
I doubt if I shall ever have time to read the book again -- there are too many new ones coming out all the time which I want to read. Yet an old book has something for me which no new book can ever have -- for at every reading the memories and atmosphere of other readings come back and I am reading old years as well as an old book.
Performing, not rehearsing, is a dancer's raison d'etre, and I've been lucky to 'etre' in some extraordinary places - Cuba, Paris, Mongolia. In particular, a two-week stint in Greece leaps to mind. We danced in the Acropolis's Herodes Atticus amphitheater, once a venue for gladiator spectacles.
As long as I'm dealing in honesty, I may as well admit that I have been more influenced (as a person) by my childhood readings of Tolkien and Lewis than I have been by any philosophers I read in college and grad school. The events and characters in Narnia and Middle Earth shaped my ideals, my dreams, my goals. Kant just annoyed me.
If drugs were legalized in the US, the Mexican economy would collapse since the earnings from drugs bring in more hard currency than its largest licit source, oil sales. Mexico is a corrupt state that has now become dependent on the earnings on an illegal product. But inevitably, the product will become legal and then Mexico will retain its corruption but must face the needs of its citizens now employed by the drug industry who have become steeped in violence and conditioned to higher incomes.
It's different in Scotland. People who come to readings are more interested in literature as such, but the readership in general is really quite diverse. It's a cliche, but it's said that people who read my books don't read any other books, and you do get that element.
One thing that stays the same is my passion for music. Other than that, I've become more dedicated. I think that I really work much harder than I ever did when I first started at my craft; I'm more dedicated, and I have become a perfectionist.
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