A Quote by Carine Roitfeld

There are so many magazines and so many editors out there that you have to be different. — © Carine Roitfeld
There are so many magazines and so many editors out there that you have to be different.
There are so many people, so many artists, so many magazines, so many theater companies, so many people trying to raise money for so many things that it's easy to look around and just feel powerless or helpless, because even if you have some resources, you can't help everybody.
I've done so many interviews over the years in so many different languages. Radios. Papers. Magazines. There's always another interview to do. It's quite something, I have to say.
I work with a lot of different editors at different publishers and magazines and so on, and having a system of shared folders makes keeping track of things a snap.
I just want to do everything. As broad as that seems, it's kind of the plan. There are so many different genres out there to do, so many different characters to play, so many different amazing actors and directors to work with. I'm just following my gut, and if it's speaking to me, then I'm doing it.
How many of those forty-something celebrities, staring out from the covers of magazines with their beautiful babies, have conceived naturally, or without assistance? Not as many as you might think I would wager - yet for so many women they act as fertility beacons, a symbol of hope in a landscape of diminishing fertility.
When I started graduate school we did this publishing class where we learned about submitting and read interviews with editors from different magazines. A lot of them said they got so many submissions that unless the first page stuck out or the first paragraph or even the first sentence they'll probably send it back. So part of my idea was that if I have a really good first sentence maybe they'll read on a bit further. At least half, maybe more of the stories in Knockemstiff started with the first sentence; I got it down then went from there.
we live in a world of excess: too many kinds of coffee, too many magazines, too many types of bread, too many digital recordings of Beethoven's Ninth, too many choices of rearview mirrors on the latest Renault. Sometimes you say to yourself: It's too much, it's all too much.
I have so many different role models who have taught me so many different things at so many different points in my life, it doesn't feel like I have one person that I have to live up to.
Everything we are doing is on the cutting edge of so many different industries and so many different interests. We're out there in the sunshine, and it feels fine.
Houston is kind of a melting pot. There are many different cultures and ethnicities represented out there, even on my team. It's really cool: you'll see so many different things.
There are many more want-to-be writers out there than good editors.
If you can see all my life, I've been training since a very young age. I've been competing in so many different competitions, so many different opponents, and so many different countries.
We like to say we hope to be like the Girl Scouts of technology, having many different chapters in many different states as well as many different countries.
Killing Eve' was kind of the road for me as an art person, where you have this opportunity to work with so many different writers, so many different directors, and so many actors at the same time.
There are many things I want to do, so many people I want to work with, so many different opportunities out there as an actor.
I feel like fashion was much more exclusive. There weren't as many parties. There weren't as many social gatherings. It wasn't required that designers have events to lure customers or editors or any of that - it was about a show. If there was a dinner or a party, people would go out after. New York nightlife was about late nights and dancing.
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