A Quote by Carl Ally

The creative person wants to be a know-it-all. He wants to know about all kinds of things-ancient history, nineteenth century mathematics, current manufacturing techniques, hog futures. Because he never knows when these ideas might come together to form a new idea. It may happen six minutes later, or six months, or six years. But he has faith that it will happen.
I was once being interviewed by Barbara Walters. In between two of the segments she asked me: "But what would you do if the doctor gave you only six months to live?" I said, "Type faster." This was widely quoted, but the "six months" was changed to "six minutes," which bothered me. It's "six months."
There's no way of telling why you want to do things beforehand. Something just grabs you. It might not grab you six months later, and it might not have grabbed you six months before, but at that particular moment it grabs you, so you jump on it.
We all know that as we form thoughts, they form deep channels in our minds and in our brains. Chronic pain is an example. If you burn yourself, you pull your hand away. But if you're still in pain in six months' or six years' time, it's because these circuits are producing pain that's no longer helping you.
I've been watching politics for 35 or 40 years and you just never know. You can have one person win the Iowa caucus and then the whole picture changes ten minutes later. The same thing can happen again after New Hampshire. I have no idea what's going to happen with our country in the future.
Marvel is very secretive, so there was no script. About six months before production, they gave me some pages and it was from a cop movie. And then, six months later, I got a phone call saying, "Do you want to come do this?" [iron Man]
When Pearl Harbor was bombed, you know, there was a whole lot of buy-in to a national mobilization. And 25% of the economy was transformed in six months. And we're not calling for six months, we're saying 15 years. That's about what we've got. And probably all that we've got.
Whether you stay six weeks, six months or six years, always leave it better than you found it.
Films are tricky because for years you're getting told you're about to make it and you're about to be busy for four or six months or you're about to be on tour for press. But these things tend not to happen, and meanwhile you've said 'no' to many things 'cause you thought you were going to be busy, for years, for years this happens.
Six months later I was in Paris. I was 16, and it all started to happen.
I was approached to do something for seven years, and it was a quality project. I did seriously think about it, but I didn't want to be away for six months of the year. I've never done the L.A. thing where you go and have loads of meetings; I can't say to my wife, 'I'm going to wait by a pool for six months.'
My father left us three times when I was between three and six. You just couldn't tell - suddenly one day he would leave and then maybe he would come back after six months without telling you why. And then maybe he would disappear again after a year and it's very difficult to take when you are four or five. You just don't know how to handle it and nobody in the family wants to talk about it. My mother didn't know how to tell us and she needed to work because we needed money to live.
By the way, six A.M.? Not a real great time for me; you know, I'm a comic. I get off work at two. Six A.M., I'm a little grumpy. Six A.M., I'm a little P.O.ed. Six A.M., I'm like a vampire with a paper route.
Today the patent office is obsolete. You just take whatever you do, tool up, and start production for six months. At the end of the six months you put the data on all the computer inputs all over the world and you got your business. You can make all your money, and then people can steal it, but by then it doesn't matter because you've made the money up front and you avoid wasting money in lawsuits. [My father] had all these kinds of ideas years ahead of others.
I'm not a musical theatre person, and I never will be, especially after seeing the way it operates. It's so incredibly inefficient. It takes three weeks to effect a change. It can be a lighting change, a script change, a musical change - you have to meet with six different departments, and about a month later, it may happen.
Pain? Yes, of course. Racing without pain is not racing. But the pleasure of being ahead outweighed the pain a million times over. To hell with the pain. What's six minutes of pain compared to the pain they're going to feel for the next six months or six decades. You never forget your wins and losses in this sport. YOU NEVER FORGET.
The good thing about being an actress is that it's very children-friendly. I can work for three months and then I can have six months off. And then I can work for six months and have six months off.
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