A Quote by Carl Andre
My art springs from my desire to have things in the world which would otherwise never be there.
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So now, from this mad passion Which made me take art for an idol and a king I have learnt the burden of error that it bore And what misfortune springs from man's desire... The world's frivolities have robbed me of the time That I was given for reflecting upon God.
The Tao never does anything, yet through it all things are done. If powerful men and women could venter themselves in it, the whole world would be transformed by itself, in its natural rhythms. People would be content with their simple, everyday lives, in harmony, and free of desire. When there is no desire, all things are at peace.
My aim is to give you only the things with which I am completely satisfied, even if it means asking you a little more [time] for them... for if I were to do otherwise I'd turn into a mere painting machine and you would be landed with a pile of incomplete work which would put off the most enthusiastic of art collectors.
Out of need springs desire, and out of desire springs the energy and the will to win.
You might say that a creative person is a person who simply has a desire to have something, to add something to the world that's not there yet, and goes about arranging fort that to happen. When you desire a work of art and make it, you've added to the stock of art in the world. Artists are one of the people who can do that: add to the stock of things.
Without the power of intelligence there is no capacity for spiritual knowledge; and without spiritual knowledge we cannot have the faith from which springs that hope whereby we grasp things of the future as though they were present. Without the power of desire there is no longing, and so no love, which is the issue of longing; for the property of desire is to love something. And without the incensive power, intensifying the desire for union with what is loved, there can be no peace, for peace is truly the complete and undisturbed possession of what is desired.
The intellect alone has an eye for viewing an essence, which it cannot see except in the true Cause, which is the Fount of all desire. Moreover, since all things seek to exist, then in all things there is desire from the Fount-of-desire, wherein being and desire coincide in the Same.
Only through art can we get outside of ourselves and know another's view of the universe which is not the same as ours and see landscapes which otherwise would remain unknown to us like the landscapes of the moon. Thanks to art, instead of seeing a single world, our own, we see it multiply until we have before us as many worlds as there are original artists.
What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.
The dramatic art would appear to be rather a feminine art; it contains in itself all the artifices which belong to the province ofwoman: the desire to please, facility to express emotions and hide defects, and the faculty of assimilation which is the real essence of woman.
All desire springs from a lack, which it strives continually to fill.
All my desire was the conversion of the heathen... I declare, now I am dying, I would not have spent my life otherwise for the whole world.
There is a strength, a power even, in understanding brokenness, because embracing our brokenness creates a need and desire for mercy, and perhaps a corresponding need to show mercy. When you experience mercy, you learn things that are hard to learn otherwise. You see things you can't otherwise see; you hear things you can't otherwise hear. You begin to recognize the humanity that resides in each of us.
Unfortunately, I haven't thought sufficiently about art. What I never realized - and it's really stupid - is the art world is the art world because all these thousands of famous and not-famous artists do things, over centuries. This hadn't occurred to me.
If one's desire for change is an earnest desire to see things improve, then surely there is a state in which things have been improved to the point where you would hope to conserve a structure rather than alter it. At that point, you become a conservative.
Desire is insatiable not because the goods of the world are too few, too uniform, or too bland. Desire burns through the goods of the world, even though these goods are not false or intrinsically unsatisfactory.... Desire shatters the economy of things; it disputes the tyranny of objects. IT longs for the great emptiness, which is beauty and love without limitation.
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