A Quote by Carl Hiaasen
Roy remembered the time he and his father had a talk about fighting. 'It's important to stand up for what's right,' Mr. Eberhardt had said, 'but sometimes there's a fine line between courage and stupidity.
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Sometimes, there's a fine line between bravery and utter stupidity. The day I decided to climb into a boxing ring for a professional fight was probably on the side of stupidity.
The line between confidence and arrogance is very fine, Josh,” Flamel said quietly. “And the line between arrogance and stupidity even finer. Sophie,” he added, without looking at her.
Roy Acuff was the first country music star to buy a home in a fashionable section of Nashville. The real estate man said, 'Mr. Acuff, how do you plan to take care of this?' since the house was very expensive at the time. Roy said, 'Would cash be all right?'
Courage is the virtue that President Kennedy most admired. He sought out those people who had demonstrated in some way, whether it was on a battlefield or a baseball diamond, in a speech or fighting for a cause, that they had courage that they would stand up, that they could be counted on.
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I calculated the amount of time I spent with my father during my entire life... the total amount of time I had with him, if you add up the hours, was about two months. My father was a busy man... we had very few opportunities to really sit down and talk as father and son.
The idea of going to the movies made Hugo remember something Father had once told him about going to the movies when he was just a boy, when the movies were new. Hugo's father had stepped into a dark room, and on a white screen he had seen a rocket fly right into the eye of the man in the moon. Father said he had never experienced anything like it. It had been like seeing his dreams in the middle of the day.
I had no idea there was such a thin line between sanity and insanity. I got pushed right to the edge by tragedy in my life, and I couldn't stand up; I couldn't recover.
I think it's OK to talk about your military service, but there's a fine line between, you know, too much and just about right.
We were very - we were a working family, and my father had this very simple philosophy, simple working class approach. If you spoke to my father and said, "Mr Smith across the road, what do you think of Mr Smith?", he'd only - he'd only say a couple of words. He'd say, "He's a worker", and that meant this bloke got up in the morning, went out, worked, brought his money home, fed his wife and kids, housed them, got them to school, educated them, made sure they were safe and all that. It had so much connotations to it.
Blackthorne, beside the gates, was still turmoiled by his boundless joy at her reprieve and he remembered how his own will had been stretched that night of his near-seppuku, when he had had to get up as a man and walk home as a man unsupported, and became samurai. And he watched her, despising the need for this courage, yet understanding it, even honoring it.
My father had a lot of allergies, and he just didn't like the cold of Chicago, and his father - his parents had broken up when he was young, and his father had lived in Pasadena for a while, and he kind of fell in love with Southern California.
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You really have to take your time; you have to know your character and your scene. The line you are about to say comes from the moment right before. It's not what's said, it's what is in between the spaces, it's what's in between the lines; that is the most important to play.
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