A Quote by Carl Hiaasen

A bonus, being a writer, is that the true-life source material is fabulously bizarre. There's so much corruption, violence and free-floating depravity that the well never runs dry, whether you're a novelist, a journalist, or both.
I guess, when I left university, I liked the idea of being a writer, and I thought then that being a writer really meant that you were a novelist. But if one of the impulses for being a novelist is wanting to be a storyteller, I never had any urge to tell stories.
I finally realized the source of your mutual attraction," Saiman said, his voice dry. "You both think violence is foreplay.
You'll never miss the water 'til the well runs dry.
I am big supporter of the idea of a global anti-corruption movement - but one that begins by recognizing that the architecture of corruption is different in different countries. The corruption we suffer is not the same as the corruption that debilitates Africa. But it is both corruption, and both need to be eliminated if the faith in democracy is not going to be destroyed.
The artesian well of joy never runs dry. We clog it with our thoughts.
America is a wonderful country! I mean it! No honest writer would challenge that statement! The human comedy never runs out of material! it never lets you down!
Israel will never get true security and safety through oppressing another people. A true peace can ultimately be built only on justice. We condemn the violence of suicide bombers, and we condemn the corruption of young minds taught hatred; but we also condemn the violence of military incursions in the occupied lands, and the inhumanity that won't let ambulances reach the injured.
When you got source material, whether it's a play or a book - a great writer often appreciates being adapted and developed. It's like when you go see a production of a great play and they are always different. There is always room for interpretation.
Actually, if you listen to the vocals on my grandfather's records, you will hear we sound similar. We both sound kind of dry. We have a dry voice, and we both love harmony - he was a man of harmony, I'm a man of harmony. I think it just runs in our blood.
I lead a very conventional life. I don't lead a writer's life. And I think that can be a source of suspicion and irritation to some people. This was more true when I was living in California, when I didn't lead a writer's life at all.
When you give, you reveal a spiritual truth, that the flow of life never runs dry.
All of us emanate from a source of well-being. If you do not have well-being in your life, physically or emotionally, then you have to look at what kind of energies, thoughts, and spirituality you have chosen that take you away from your source.
I always go back to the original material. I want a good connection as the composer and writer of the score to the director and to the source material. It's really important.
If I wasn't a writer/director, I would be an investigative journalist. There's something about being an undercover journalist. I mean, that's freakin' cool!
I'm a novelist, I'm not an activist. I'm not a non-fiction writer, I'm not a journalist. I'm not a foodie, I'm not even really an animal person, or an environmentalist. I did the best I could with this, but it's not who I am.
I am, after all, a thriller writer. I routinely delve into the darkest chambers of the human heart. I've written about murder, kidnapping, depravity, horror, violence, and disfigurement.
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