A Quote by Carl Hiaasen
Every writer scrounges for inspiration in different places, and there's no shame in raiding the headlines. It's necessary, in fact, when attempting contemporary satire. Sharp-edged humor relies on topical reference points.
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I tell the truth and I don't try to sugarcoat things. But I also decided that if you don't use humor or satire, then it's just too dark all the time. And one of my favorite literary works is A Modest Proposal by Jonathan Swift. As you know, that was an enormously famous satire piece that was able to point out, you know, things to people in a different way. And I do believe that satire and humor can reveal truth in a way that sometimes doesn't get revealed through other means. And so I decided to, every now and then, use satire and humor as well.
I don't really enjoy working in TV, to be completely honest, even though it's incredibly lucrative, I'm just terrified of not being satiated in a myriad of different ways. It's amazing that I get to create every day, as an actor, or a director, or a writer, and I get to do it in a variety of different genres and worlds and characterizations. I think that's the great privilege of what we do, we get to make believe. I get to go to so many different places, try on different occupations, take on different points of view. That's what's always been sort of alluring.
What a newspaper needs in its news, in its headlines, and on its editorial page is terseness, humor, descriptive power, satire, originality, good literary style, clever condensation and accuracy, accuracy, accuracy.
What a newspaper needs in its news, in its headlines, and on its editorial page is terseness, humor, descriptive power, satire, originality, good literary style, clever condensation, and accuracy, accuracy, accuracy!
The American public highly overrates its sense of humor. We're great belly laughers and prat fallers, but we never really did have a real sense of humor. Not satire anyway. We're a fatheaded, cotton-picking society. When we realize finally that we aren't God's given children, we'll understand satire. Humor is really laughing off a hurt, grinning at misery.
I find increasingly that the more extreme are the things going on in your life, the more cultural reference points fail you. More mythical reference points actually help, and you realize that's what myths are for. It's for human beings to process their experience in extremis.
I find increasingly that the more extreme are the things going on in your life, the more cultural reference points fail you. More mythical reference points actually help, and you realise that's what myths are for. It's for human beings to process their experience in extremis.
There are also places of power that reference the fourth and fifth chakras, which are places of balance, and places of power that reference the sixth and seventh chakras, which are places of wisdom.
You need to have many points of reference; many places to touch down and make contact with.
My inspiration always comes from different places. Sometimes it's a piece of music or being in nature or seeing a film or reading a magazine. I find inspiration everywhere.
We need to give out portrayal of ourselves. Every non-Indian writer writes about 1860 to 1890 pretty much, and there is no non-Indian writer that can write movies about contemporary Indians. Only Indians can. Indians are usually romanticized. Non-Indians are totally irrepsonsible with the appropriation of Indians, because any time tou have an Indian in a movie, it's political. They're not used as people, they're used as points.
The fact that different cultures have different practices no more refutes [moral] objectivism than the fact that water flows in different directions in different places refutes the law of gravity
I've got a variety of different sources of news that I follow and every day there's going to be different headlines, different stories spun different ways and different sources that they're going to cite as their facts.
As every writer knows... there is something mysterious about the writer's ability, on any given day, to write. When the juices are flowing, or the writer is 'hot', an invisible wall seems to fall away, and the writer moves easily and surely from one kind of reality to another... Every writer has experienced at least moments of this strange, magical state. Reading student fiction one can spot at once where the power turns on and where it turns off, where the writer writes from 'inspiration' or deep, flowing vision, and where he had to struggle along on mere intellect.
Maxims are sharp-edged half-truths.
Inspiration is tough to define, it comes from so many different places. I have multiple exhibitions touring the globe, so I do travel quite a bit and travel is a great way to find inspiration.
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