A Quote by Carl Hiaasen
They have a crystalline sense of right and wrong; it disappears when they walk out the door with their M.B.A.
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I've always said that I'm an employee and I respect that status but I'm the type of guy who walks in the front door and I'll walk out the front door if it's not right.
Just take one thing out and the whole palace, the whole edifice of the human mind collapses. Take effort out of it and desiring disappears, imagination disappears, past and future disappear, or take desire out and effort disappears and time disappears and ego disappears. Just take one thing out of the gestalt and the whole gestalt simply disappears; it cannot exist without certain things. Those are the very essentials of it - effort is one of the essentials. Hence all the great Masters of the world have taught about grace.
I remember going to a funeral at a very fundamentalist church, and I just had to get out of there. I went out in the parking lot and just sobbed. I think there was a sense of loss of that little boy not knowing if he was right or wrong. Everything I grew up with I had to walk away from.
The Senator from Wisconsin cannot frighten me by exclaiming, My country, right or wrong. In one sense I say so too. My country; and my country is the great American Republic. My country, right or wrong; if right, to be kept right; and if wrong, to be set right.
It's very, very hard to speak truth to power when the truth is unpleasant. I think it's one of the toughest things especially a young person has to do and the only way you can do it is if you're willing to walk out the door if he doesn't take your advice. Or if you're willing to walk out the door if he goes over the line.
Even in the realest American cinema that I see, there's still not that sense that this is reality. There's still that sense that you are watching a movie. And hopefully, if we did get our jobs right, that sense disappears when you watch this movie.
Write with the door closed, rewrite with the door open. Your stuff starts out being just for you, in other words, but then it goes out. Once you know what the story is and get it right — as right as you can, anyway — it belongs to anyone who wants to read it. Or criticize it.
There's nothing "wrong" with anything. "Wrong" is a relative term, indicating the opposite of that which you call "right." Yet, what is "right"? Can you be truly objective in these matters? Or are "right" and "wrong" simply descriptions overlaid on events and circumstances by you, out of your decision about them?
My dad told me when I went into high school, 'It's not what you do when you walk in the door that matters. It's what you do when you walk out.' That's when you've made a lasting impression.
In Cyprus, our house was right on the beach. I could walk out of our front door, cross a road, and there was the sea.
It's hard to absorb and to allow all that attention and accolades for 'Rent' because the rest of the country doesn't know who we are. Once I walk out of the door of 'Rent,' and I'm on the subway, it doesn't matter. It's an exaggerated sense of fame.
That’s not the only reason I’m stayin’, chica. I can’t leave you any more than I could walk out that door right now while my leg is busted up. I was just thinkin’ . . . should we tell your parents now or later?” “Tell them what?” I ask, eyes wide. He kisses me softly, then says proudly, “That we’re in a serious, monogamous, committed relationship.” “We are?” “Sí. And when I get out of here, I’m gonna fix the door to your car.
A tourist will just walk up to a Natchezian on the street and ask, 'Where does Greg Iles live?' And they'll say, 'Oh, right over there; just go knock on the door.' I've had people just walk into my office, walk into my house like it's a museum just open to the public.
A lot of actresses start out modeling because it's a great way to sort of get your foot in the door. That's all it is, though. They open the door, and you have to walk through it.
When onstage, I always try to take my audience through as many emotions as I possibly can. I want them to go from laughter to tears, be shocked and surprised and walk out the door with a renewed sense of themselves - and maybe a smile.
To be ordinary is the greatest virtue - because when you are just ordinary, nothing to claim, of this world or that, the ego disappears. The ego feeds on imbalance, the ego feeds on extremes. The ego lives on the polarities - in the middle it disappears. And in every area, in every direction of life, remember this: just stop in the middle and soon you will find the mind has stopped, the ego has stopped. Nothing to claim, it disappears. And when it disappears you have become virtuous. Now the door is open for the divine. In the middle you meet him; at the extremes you miss.
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