A Quote by Carl Hiaasen

When I'm working on a novel of my own, I try to read mostly nonfiction, although sometimes I break down and peek at something else. — © Carl Hiaasen
When I'm working on a novel of my own, I try to read mostly nonfiction, although sometimes I break down and peek at something else.
I find interesting characters or lessons that resonate with people and sometimes I write about them in the sports pages, sometimes I write them in a column, sometimes in a novel, sometimes a play or sometimes in nonfiction. But at the core I always say to myself, 'Is there a story here? Is this something people want to read?'
I tend not to read fiction - I'll read one novel a year during the summer - but I do read a lot of nonfiction.
Golf is such a big commitment, and so is acting. Sometimes you have to give up something to do something else, although, when I'm working on location, I always take my clubs.
When I do get to chow down on a book, I try to read ones that are nothing like what I'm writing. So, as I'm currently working on a space opera (of sorts) I'm mostly indulging in urban fantasy.
I really try to understand what people are saying and answer as honestly as I can. But sometimes it's like they try to tie you into knots. That's why I mostly steer clear of the popular press. I try not to read . . . Well, I never read gossip press. I just read books. And I never switch on the TV any more.
I read a ton of nonfiction. I tend to read about a lot of very extreme situations, life-or-death situations. I'm very interested in books about Arctic exploration or about doomed Apollo missions. I tend to read a lot of nonfiction that's sort of hyperbolic and visceral. And then I kind of draw on my own personal experiences and my own sort of generic life experience, and I kind of try to feed my day-to-day reality that I have with sort of high stakes reference points that I read about. They're things everyone can relate to.
I hardly read fiction; I mostly read nonfiction. I like to examine material things.
I try to teach my students that books are a mirror, reflecting their own lives, and a window, giving them a peek into someone else's.
I would like to write a novel, or at least try to write one, although my motives are not entirely pure. For one thing, I get asked about writing novels so much that I feel guilty about never having written one. And although I have no strong desire to write a novel, I would hate not to try. That would just be silly. On the other hand, I hate the idea of slogging through something that turns out to be not good.
When you feel you have good although incomplete expertise, start trying things. If it's not working, try something else; maintain an experimental mindset.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
I like European and South American literature, but mostly I read nonfiction.
I'm working on a nonfiction book on Nepal and a novel about diasporas.
Wonderful thing about novels is that sometimes we read a novel and we know the person in the novel more than we know people in our own lives.
You can sometimes break rules in comics that you can't necessarily break in cinema. It's fun to find something cool in a comic and then try and find a way to break the same rule in another medium.
I read all of the nonfiction that I could find on Chechnya, and all the while, I was searching for a novel that was set there. I couldn't find a single novel written in English that was set in the period of the two most recent Chechen wars.
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