A Quote by Carl Hiaasen

I never laugh or smile when I am writing. When I come home for lunch after writing all morning, my wife says I look like I just came home from a funeral. This is not bragging. This is an illness.
There are so many things that come into writing a recipe, and it's really important if you're writing for home cooks to be cooking like you are at home.
I like writing books. I'd rather be at home with my wife. I can write, take a break, come out, have a glass of tea, give my wife a kiss, and go back in and write some more. It's not so bad. I am really lucky.
I am a morning writer; I am writing at eight-thirty in longhand and I keep at it until twelve-thirty, when I go for a swim. Then I come back, have lunch, and read in the afternoon until I take my walk for the next day's writing.
Writing is great because in the writing you never have to... First of all you never have to leave your home. And you never have to meet the test of reality when you're writing.
I don't consider writing a quiet, closet act. I consider it a real physical act. When I'm home writing on the typewriter, I go crazy. I move like a monkey. I've wet myself, I've come in my pants writing.
Suddenly, the idea of writing a book was like coming home. I didn't tell anyone except my wife, Clare. I just began.
When I am writing a novel, though, then it's usually three or four hours a day. Ideally, right after lunch until three or four, but sometimes picking up again around ten, going until a touch after midnight. I rarely write in the morning, unless I'm on deadline. I do like rewriting in the morning, though. Guess it's the way my brain's put together. Or, the way it's falling apart.
I never wanted to write about Bulgaria. When I was still living there I did my absolute best to never write a story with a Bulgarian character with a Bulgarian name, and only after I came to the US and I was far away and missing it a great deal did I realize that writing about could be my way of returning back home. I think it was only through my writing that I fell in love with the country and with the history.
When you have no kids, you can come home, play video games, watch TV. Now I come home and my wife is looking at me like, I want to get out the door. She's been with them all day. So, as soon as you come home, you're a human jungle gym, dancing, doing things with them.
I hate being called lazy, so when everybody gets up at half seven in the morning, I'm up at the same time. Everyone goes to work and I'll do a few hours of writing, then I'll mess about for a bit and come back to it. By the time I go home I'm done. I think it's really good to keep that kind of a routine with writing. I find that when I don't do that, it's really hard to get back into that headspace of writing.
I made a real specific decision when I came out of school and most artists were writing about home - if you were a woman, you were writing about being a woman - and I decided not to do that, write about what you know. That's not what I do. I went as far away from home as possible in terms of the development of my imagination.
I started writing letters home to my mother, saying that I wanted to come home, grandma won't let me sing.
I'm something like the old soak who never knew whether his wife told him to take one drink and come home at 12, or take 12 and come home at one.
You never came home for lunch: you just stayed doing, playing, having fun, surfing, running round.
When I went to college, I wasn't really happy at there, and I really wanted to come home. Mind you, I auditioned for 'The Wiz' the day after I came home from college. I wanted to come home and try to go to a new school.
Home is a blueprint of memory...Finding home is crucial to the act of writing. Begin here. With what you know. With the tales you've told dozens of times...with the map you've already made in your heart. That's where the real home is: inside. If we carry that home with us all the time, we'll be able to take more risks. We can leave on wild excursions, knowing we'll return home.
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