Aficionados of Slow design and Slow fashion use ethical and green materials to make objects - furniture, clothes, jewellery - that lift the spirit and last a lifetime rather than one catwalk season.
This is very much my philosophy as a fashion designer. I have never believed in design for design's sake. For me, the most important thing is that people actually wear my clothes. I do not design for the catwalk or for magazine shoots - I design for customers.
Democracies are indeed slow to make war, but once embarked upon a martial venture are equally slow to make peace and reluctant to make a tolerable, rather than a vindictive, peace.
what I love is slowness. Slow people, slow reading, slow traveling, slow eggs, and slow love. Everything good comes slow.
I think fashion is a lot of fun. I love clothes. More than fashion or brand labels, I love design. I love the thought that people put into clothes. I love when clothes make cultural statements and I think personal style is really cool. I also freely recognize that fashion should be a hobby.
There's a real hunger to understand where objects come from, how artists show their understanding of materials. And there's something fascinating about watching people work, whether it's someone engraving a gun or sewing beautiful clothes together. I know that myself; I'll make a piece of furniture and feel the wood's grain talking to me.
Recycling is more expensive for communities than it needs to be, partly because traditional recycling tries to force materials into more lifetimes than they are designed for - a complicated and messy conversion, and one that itself expends energy and resources. Very few objects of modern consumption were designed with recycling in mind. If the process is truly to save money and materials, products must be designed from the very beginning to be recycled or even "upcycled" - a term we use to describe the return to industrial systems of materials with improved, rather than degraded, quality.
Venturing back further, learning is so slow. Accomplishment is so slow. Experiencing and evaluating your experience is so slow.
Painting is a slow process; it takes time to get there, you learn little by little and always want the next painting to be better than the last. For me, success is about this, seeing the slow progress in my work.
When I was young, I was too slow. I thought I must learn to run fast by practicing to run fast, so I ran 100 meters fast 20 times. Then I came back, slow, slow, slow.
Some things go slow, slow, slow, and then - wham! - they're over.
Fashion is everything. Art, music, furniture design, graphic design, hair, makeup, architecture, the way cars look - all those things go together to make a moment in time, and that's what excites me.
When I was young, I was too slow. I thought I must learn to run fast by practicing to run fast, so I ran 100 meters fast 20 times. Then I came back, slow,slow,slow. People said, 'Emil, you are crazy. You are training like a sprinter.'
Even if the pace is slow in championships, you can still sprint well and still power in the last 200, which is always the main part when the race is slow.
But I'm so slow on it because I find it terribly hard writing blind on computers. The computer speaks to me, but it's just so slow, I'm so terribly slow using it.
fashion has always been a little slow in accommodating large women. ... We're not asking for philanthropy here. Wake up, we're fat, we like nice clothes, and we've got cash.
I was nearly 40 when I published my first book. I was a slow starter - or rather, I was slow to gather my work together, though I had published translations, mainly of the Italian poet Montale, by then.