A Quote by Carl Jung
We must be able to let things happen in the psyche. For us, this becomes a real art... Consciousness is forever interfering, helping, correcting, and negating, never leaving the single growth of the psychic processes in peace.
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In our view any awareness is an increment to consciousness, an added light, a reinforcement of psychic coherence. Its swiftness or instantaneity can hide this growth from us. But there is a growth of being in every instance of awareness. Consciousness is in itself an act, the human act.
The fatal metaphor of progress, which means leaving things behind us, has utterly obscured the real idea of growth, which means leaving things inside us.
We shall probably get nearest to the truth if we think of the conscious and personal psyche as resting upon the broad basis of an inherited and universal psychic disposition which is as such unconscious, and that our personal psyche bears the same relation to the collective psyche as the individual to society.
Never forget that the universe is a single living organism possessed of one substance and one soul, holding all things suspended in a single consciousness and creating all things with a single purpose that they might work together spinning and weaving and knotting whatever comes to pass.
Number, as it were, lies behind the psychic realm as a dynamic ordering principle, the primal element of which Jung called spirit. As an archetype, number becomes not only a psychic factor, but more generally, a world-structuring factor. In other words, numbers point to a background reality in which psyche and matter are no longer distinguishable.
Fashion being the art of those who must purchase notice at some cheaper rate than that of being beautiful, loves to do rash and extravagant things. She must be forever new, or she becomes insipid.
Far from being a material world, this is a psychic world, which allows us to make only indirect and hypothetical inferences about the real nature of matter. The psychic, alone has immediate reality, and this includes all forms of the psychic, even
If men were able to be convinced that art is a precise advance knowledge of how to cope with the psychic and social consequences of the next technology, would they all become artist? Or would they begin a careful translation of new art forms into social navigation charts? I am curious to know what would happem if art were suddenly seen for what it is, namely, exact information of how to rearrange one's psyche in order to anticipate the next blow from our own extended faculties.
Militarists say that to gain peace we must prepare for war. I think we get what we prepare for. If we want a world where peace is valued, we must teach ourselves to believe that peace is not a ‘utopian vision’ but a real responsibility that must be worked for each and every day in small and large ways. Any one of us can contribute to building a world where peace and justice prevail.
Only the Earth can become the central axis around which world peace can be spun, for no religion is more compelling, no single nation larger, and no peoples older than the Earth itself. For that to happen, the collective human consciousness must expand enough so that our highest identification is as Earth-Humans.
Things rarely happen for a single reason. Even the cleverest and most skilled manipulators recognize that their real art lies in making use of that which they cannot predict.
Psychology must postulate uniformity of interrelation of physical, physiological, and psychic processes.
In my other books, things do happen, but they are kind of bookends to the real action, which for me was an exploration of consciousness. Not that I don't get into the consciousness of the people in 'The Surrendered,' but you could say there's not as much anxiety about it.
All religious systems enslave the mind. Certain things are demanded-certain things must be believed-certain things must be done-and the man who becomes the subject or servant of this superstition must give up all idea of indivuality or hope of intellectual growth or progress.
To engage with art, we have to be willing to be wrong, venture outside our psychic comfort zones, suspend disbelief, and remember that art explores and alters consciousness simultaneously.
Perhaps things are most beautiful when they are not quite real; when you look upon a scene as an outsider, and come to possess it in its entirety and forever; when you live in the present with the lucidity and feeling of memory; when, for want of connection, the world deepens and becomes art.
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