A Quote by Carl Jung

In sleep, fantasy takes the form of dreams. But in waking life, too, we continue to dream beneath the threshold of consciousness, especially when under the influence of repressed or other unconscious complexes.
Through its influence upon the unconscious, music can have a specific healing effect. It can help in eliminating repressions and resistances, and it can bring into the field of waking consciousness many drives, emotions and complexes which were creating difficulties in the unconscious.
Dreams are imperfections of sleep; even so is consciousness the imperfection of waking. Dreams are impurities in the circulation of the blood; even so it's consciousness a disorder of life. Dreams are without proportion, without good sense, without truth; so also is consciousness. Awake from dream, the truth is known: awake from waking. The truth is: The Unknown
The witness of the three states of consciousness [waking, dream and deep sleep] and of the nature of Existence-Consciousness-Bliss is the Self
A novel is what you dream in your night sleep. A novel is not waking thoughts although it is written and thought with waking thoughts. But really a novel goes as dreams go in sleeping at night and some dreams are like anything and some dreams are like something and some dreams change and some dreams are quiet and some dreams are not. And some dreams are just what any one would do only a little different always just a little different and that is what a novel is.
When we dream, we create. All of life is a dream or a series of waking dreams. We dream our surroundings. We dream our friends, our relations. We dream our bodies. We dream our dreams.
In most of our dreams, our inner eye of reflection is shut and we sleep within our sleep. The exception takes place when we seem to awake within our dreams, without disturbing or ending the dream state, and learn to recognize that we are dreaming while the dream is still happening.
The lucid dream, located as it is at a crossroads between worlds and states of consciousness, places the magician in a unique position to influence the delicate balance of consciousness and the interplay it has on matter in the waking state, and is thus an opportunity to test one's ability in the art of adjusting the mutable fabric of Maya.
Through dreams a door is opened to mythology, since myths are of the nature of dreams, and that, as dreams arise from an inward world unknown to waking consciousness, so do myths: so, indeed, does life.
Because waking I often observe the absurdity of dreams, but never dream of the absurdities of my waking thoughts, I am well satisfied that being awake, I know I dream not; though when I dream, I think myself awake.
The best indicator of your level of consciousness is how you deal with life's challenges when they come. Through those challenges, an already unconscious person tends to become more deeply unconscious, and a conscious person more intensely conscious. You can use a challenge to awaken you, or you can allow it to pull you into even deeper sleep. The dream of ordinary unconsciousness then turns into a nightmare.
The unbroken realization that you are indivisible from the universe, from universal consciousness, from the source of everything - that you are that source, that there is no other, no second, nothing that is not part of that unity, except as transitory illusion. If you could maintain that realization at all times, through waking and sleeping states of consciousness, across the threshold of death itself, what would you be?
In the child, consciousness rises out of the depths of unconscious psychic life, at first like separate islands, which gradually unite to form a 'continent,' a continuous landmass of consciousness. Progressive mental development means, in effect, extension of consciousness.
Science and Technology revolutionize our lives, but memory, tradition and myth frame our response. Expelled from individual consciousness by the rush of change, history finds its revenge by stamping the collective unconscious with habits, values, expectations, dreams. The dialectic between past and future will continue to form our lives.
Waking was the most reliable part of a dream, as built into dreams as death is to life. You dream, you wake: you live, you die.
How is it to be explained that something inside me revolts against the playing of obvious moves? Perhaps we may perceive the underlying reason in the fact that I derive satisfaction from seeking to reveal the concealed meaning of a position by means of maneuvering play and therefore I do not wish to see this satisfaction curtailed by a banal, more or less fortuitous decision. Naturally, this phenomenon is played out beneath the threshold of consciousness. The waking consciousness will, of course, in each individual case, give preference to the more rapid means of deciding the game.
Expectations are the most perilous form of dream, and when dreams do realise themselves it is in the waking world: the difference is subtly but often painfully felt.
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