A Quote by Carl Jung
A residual sea of symbols which is shared by all mankind, usually accessed through dreams or altered states, and from which cultures draw images on which to found their religions.
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Idiosyncratic belief systems which are shared by only a few adherents are likely to be regarded as delusional. Belief systems which may be just as irrational but which are shared by millions are called world religions.
There is a thinking in primordial images, in symbols which are older than the historical man, which are inborn in him from the earliest times, eternally living, outlasting all generations, still make up the groundwork of the human psyche. It is only possible to live the fullest life when we are in harmony with these symbols; wisdom is a return to them.
Dreams surely are difficult, confusing, and not everything in them is brought to pass for mankind. For fleeting dreams have two gates: one is fashioned of horn and one of ivory. Those which pass through the one of sawn ivory are deceptive, bringing tidings which come to nought, but those which issue from the one of polished horn bring true results when a mortal sees them.
You go from dream to dream inside me. You have passage to my last shabby corner, and there, among the debris, you’ve found life. I’m no longer sure which of all the words, images, dreams or ghosts are ‘yours’ and which are ‘mine.’ It’s past sorting out.
I end with a word on the new symbols which I have employed. Most writers on logic strongly object to all symbols. ... I should advise the reader not to make up his mind on this point until he has well weighed two facts which nobody disputes, both separately and in connexion. First, logic is the only science which has made no progress since the revival of letters; secondly, logic is the only science which has produced no growth of symbols.
The true Resurrection is based not on the mythical lie of the guilty victim who deserves to die, but on the rectification of that lie, which comes from the true God and which reopens channels of communication mankind itself had closed through self-imprisonment in its own violent cultures.
Why are the bones of great fishes, and oysters and corals and various other shells and sea-snails, found on the high tops of mountains that border the sea, in the same way in which they are found in the depths of the sea?
Religions have approved themselves; they have ministered to sundry vital needs which they found reigning. When they violated other needs too strongly, or when other faiths came which served the same needs better, the first religions were supplanted.
So we find that in almost every religion these are the three primary things which we have in the worship of God - forms or symbols, names, God-men. All religions have these, but you find that they want to fight with each other...These are the external forms of devotion, through which man has to pass; but if he is sincere, if he really wants to reach the truth, he goes higher than these, to a plane where forms are as nothing.
Philosophy [nature] is written in that great book which ever is before our eyes -- I mean the universe -- but we cannot understand it if we do not first learn the language and grasp the symbols in which it is written. The book is written in mathematical language, and the symbols are triangles, circles and other geometrical figures, without whose help it is impossible to comprehend a single word of it; without which one wanders in vain through a dark labyrinth.
The artist must imitate that which is within the thing, that which is active through form and figure, and discourses to us by symbols.
The imagination ... that reconciling and mediatory power, which incorporating the reason in images of the sense and organizing (as it were) the flux of the senses by the permanence and self-circling energies of the reason, gives birth to a system of symbols, harmonious in themselves, and consubstantial with the truths of which they are the conductors.
When religion becomes artificial, art has a duty to rescue it. Art can show that the symbols which religions would have us believe literally true are actually figurative. Art can idealize those symbols, and so reveal the profound truths they contain.
Words too familiar, or too remote, defeat the purpose of a poet. From those sounds which we hear on small or on coarse occasions, we do not easily receive strong impressions, or delightful images; and words to which we are nearly strangers, whenever they occur, draw that attention on themselves which they should transmit to other things.
Nature is a temple in which living columns sometimes emit confused words. Man approaches it through forests of symbols, which observe him with familiar glances.
I was born into a Christian household, in a parsonage in fact, so I grew up in sort of a missionary atmosphere but it was an environment which involved both the traditional religions as well as the Muslim religion, so we were exposed to all the various facets of faith, micro cultures which existed within those beliefs, and even though I've lost whatever Christian faith was drummed into me as a child, I still maintain very good relationship with all the various religions.
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