A Quote by Carl Jung
The Christian religion seems to have fulfilled its great biological purpose, in so far as we are able to judge. It has led human thought to independence, and has lost its significance, therefore, to a yet undetermined extent.... It seems to me that we might still make use in some way of its form of thought, and especially of its great wisdom of life, which for two thousand years has proven to be particularly efficacious.
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It was a real surprise to me to come across the evidence that Christianity might once have been a danced religion. Certainly, some of the early church leaders thought this was great and spoke of what seems to have been circle dancing, perhaps around an altar.
If life is to be fully human it must serve some end which seems, in some sense, outside human life, some end which is impersonal and above mankind, such as God or truth or beauty. Those who best promote life do not have life for their purpose. They aim rather at what seems like a gradual incarnation, a bringing into our human existence of something eternal, something that appears to imagination to live in a heaven remote from strife and failure and the devouring jaws of Time.
It seems to me to be true that heavens are placed in the sky because it is the unreachable. The unreachable and therefore the unknowable always seems divine--hence, religion. People need religion because the great masses fear life and its consequences. Its responsibilities weigh heavy. Feeling a weakness in the face of great forces, men seek an alliance with omnipotence to bolster up their feeling of weakness, even though the omnipotence they rely upon is a creature of their own minds. It gives them a feeling of security.
Sartre is one example of someone who does just this. Every text is, after all, a human document and whatever Kierkegaard thought about God was clearly a matter of human thought that can, in principle, be retrieved and interpreted by other human beings. A phenomenological approach to religion must, it seems to me, adopt the old adage: nothing human is alien to me.
The universe, in a big bang mode, is still expanding, which means it's cooling down, and evolution seems to be going against this; we're almost battling it. That led me on to a more creative, philosophical way of thinking, which is what led into influencing some of the songs, which is, maybe this is what our struggle is.
Onstage it was always comfortable for me because that's where I felt at home. Offstage it was a different situation. I was still shy offstage and unfortunately, my shyness and my inability to communicate and really have great conversations or be part of the gang - in inverted commas - led me to the drug addiction, which, you know, blighted my life for 16 years because I thought by doing that it would make me join in.
If religion is a reaction of man, and nothing more, it seems to me that it represents a human desire for wrongdoers to be punished. I hate the idea of Idi Amin living in Saudi Arabia for the last 25 years of his life. That galls me to no end. I feel some sort of need for biblical atonement, or justice, or something. I like to believe there is some comeuppance, that karma kicks in at some point, even if it takes years or decades to happen. My girlfriend says this great thing that’s become my philosophy as well. 'I want to believe there's a heaven. But I can't not believe there's a hell.'
Some people flinch when you talk about art in the context of the needs of society thinking you are introducing something far too common for a discussion of art. Why should art have a purpose and a use? Art shouldn't be concerned with purpose and reason and need, they say. These are improper. But from the very beginning, it seems to me, stories have indeed been meant to be enjoyed, to appeal to that part of us which enjoys good form and good shape and good sound.
There is obviously a great human need for religion because life seems to be such a mystery.
Even after seeing so much bad art in the last few years, it still seems possible that one can be led to the right places. I haven't given up hope because there are always great artists, great minds, and great ideas. New ideas are what give you hope. You have to base your opinions on the quality of the ideas in the artworks.
I have a full life: I have two amazing kids, I have great friends, great family. And right now, that's plenty for me to manage. A new relationship just seems like way too much work.
The reason why life may be judged to be trivial although at certain moments it seems to us so beautiful is that we form our judgment, ordinarily, not on the evidence of life itself but of those quite different images which preserve nothing of life-and therefore we judge it disparagingly.
The ability to make judgments lies at the heart of Christian living. Unless we are able to judge doctrine, lifestyles, and entertainment, unless we are able to distinguish between outer appearance and inner character, we just might miss the purpose for which God placed us on this earth. We might end up accepting a stone for bread and a snake for a fish.
With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use - I don't use the accident - 'cause I deny the accident... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.
"Is," "is," "is" — the idiocy of the word haunts me. If it were abolished, human thought might begin to make sense. I don't know what anything "is"; I only know how it seems to me at this moment.
A book may lie dormant for fifty years or for two thousand years in a forgotten corner of a library, only to reveal, upon being opened, the marvels or the abysses that it contains, or the line that seems to have been written for me alone. In this respect the writer is not different from any other human being: whatever we say or do can have far-reaching consequences.
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