A Quote by Carl Jung

I have never since entirely freed myself of the impression that this life is a segment of existence which is enacted in a three-dimensional boxlike universe especially set up for it.
If a shadow is a two-dimensional projection of the three-dimensional world, then the three-dimensional world as we know it is the projection of the four-dimensional Universe.
Since I found that one could make a case shadow from a three-dimensional thing, any object whatsoever - just as the projecting of the sun on the earth makes two dimensions - I thought that by simple intellectual analogy, the fourth dimension could project an object of three dimensions, or, to put it another way, any three-dimensional object, which we see dispassionately, is a projection of something four-dimensional, something we are not familiar with.
Since a three-dimensional object casts a two-dimensional shadow, we should be able to imagine the unknown four-dimensional object whose shadow we are. I for my part am fascinated by the search for a one-dimensional object that casts no shadow at all.
The tribal system from which the Celt never freed himself entirely was the curse of the Celtic race, predooming it to ruin.
One thing is sure - we have to transform the three-dimensional world of objects into the two-dimensional world of the canvas.. ..To transform three into two dimensions is for me an experience full of magic in which I glimpse for a moment that fourth dimension which my whole being is seeking.
Genes are effectively one-dimensional. If you write down the sequence of A, C, G and T, that's kind of what you need to know about that gene. But proteins are three-dimensional. They have to be because we are three-dimensional, and we're made of those proteins. Otherwise we'd all sort of be linear, unimaginably weird creatures.
Our universe - it's three-dimensional, but we can pretend it's two-dimensional so it's like this sheet of paper - and we live in Pasadena over here and London is over there, and it's thousands of miles from Pasadena to London.
The universe is information and we are stationary in it, not three dimensional and not in space or time.
It was interesting to have humanoid villains that were rooted in our three-dimensional reality... or four dimensional reality, I'm not sure which!
Set up your study or picture in an orderly fashion. This order should not cramp either the linearist or the colorist... Never lose sight of that first impression by which you were moved.
... Rembrandt is not a painter at all. He is a creator, who creates his beings, three dimensional living beings, on a two-dimensional flat surface which acts as a mute, and enforces silence on them.
That which I named 'innate' is a segment of that intelligence which fills the universe.
The universe bursts into existence from life, not the other way around as we have been taught. For each life there is a universe, its own universe. We generate spheres of reality, individual bubbles of existence. Our planet is comprised of billions of spheres of reality, generated by each individual human and perhaps even by each animal.
Who freed the slaves? To the extent that they were ever u2018freed,' they were freed by the Thirteenth Amendment, which was authored and pressured into existence not by Lincoln but by the great emancipators nobody knows, the abolitionists and congressional leaders who created the climate and generated the pressure that goaded, prodded, drove, forced Lincoln into glory by associating him with a policy that he adamantly opposed for at least fifty-four of his fifty-six years of his life.
I like three-dimensional characters - it's just more interesting when you get on set.
No artist is one-dimensional. I get the sense that if I push myself now and if I create a million different-sounding songs - I just feel that's going to be such a set-up for my ability in the future.
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