A Quote by Carl Jung
The heaping together of paintings by Old Masters in museums is a catastrophe; likewise, a collection of a hundred Great Brains makes one big fathead.
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A collection of a hundred great brains makes one big fathead.
If you look at the paintings that I love in art history, these are the paintings where great, powerful men are being celebrated on the big walls of museums throughout the world. What feels really strange is not to be able to see a reflection of myself in that world.
Small museums are great. Big museums are a drag.
What if at school you had to take an 'art class' in which you were only taught how to paint a fence? What if you were never shown the paintings of Leonardo da Vinci and Picasso? Would that make you appreciate art? Would you want to learn more about it? I doubt it..........but this is how math is taught and so in the eyes of most of us it becomes the equivalent of watching paint dry. While the paintings of the great masters are readily available, the math of the great masters is locked away.
I absorbed as many Impressionist paintings as I could, in Parisian museums and in many museums in the United States and in books, looking for clues to architecture, clothing, settings.
In Germany, we often hear the absurd complaint that museums don't have the money to buy paintings. Of course, I'm not talking about me and my paintings. There are, after all, more popular painters in this country.
I studied shades, textures by painting after the Old Masters, the classical European paintings, as part of my educational process.
God, how patient are Thy poor! These corporations and masters of manipulation in finance heaping up great fortunes by a system of legalized extortion, and then exacting from the contributors-to whom a little means so much-a double share to guard the treasure!
On Wall Street he and a few others - how many? three hundred, four hundred, five hundred? had become precisely that... Masters of the Universe.
The air we see in the paintings of the old masters is never the air we breathe.
A hundred times have I thought New York is a catastrophe and 50 times: It is a beautiful catastrophe.
If you're a painter, it's simply taken for granted that you'll spend a lot of time in museums studying great paintings, but if you're a cartoonist, it used to be very hard to see an original cartoon drawing.
America is a collection of people from different races, religions, and backgrounds - that is part of what makes us great. But a common language is what brings all of those people together to form a community.
If you look at a painting that you love by one of the great masters, every time you go back to it, you see something different - a different attitude or brushstroke. 'Hamlet' is like an entire gallery of old masters.
How did the dolphins and whales get such big brains? They obviously don't need such big brains to catch fish.
The idea was to take fine art and put it into the location of the movie scripts. The script itself is collage - some of the lines come from actual movies and I've written others to make the text work with the found image. In this way, the details of old dead guys' paintings (from the collection of the Städel Museum in Frankfurt, where this work will be exhibited in relation to the historical paintings) become illustrations of the movie scripts. I found this mélange of high art and Hollywood amusing.
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