A Quote by Carl Karcher
We have people working for us full-time because they were forced to retire at 65. I know that I never want to stop working, and I am glad that I can offer positions to others who feel the same way.
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It was ironic, but when you scratched the surface, most successful men were working for one thing only--to retire--and the sooner the better. Whereas women were the complete opposite. She had never heard a woman say she was working so she could retire to a desert island or to live on a boat. It was probably, she thought, because most women didn't think they deserved to do nothing.
I love working with the same people. When I find someone I love and that I like working with, I don't want to stop working with them.
Outrun the people who quit when they feel discomfort, outrun the people who stop because of despair, outrun the people who are delayed because of prejudice, outrun the people who surrender to failure, and outrun the opponent who loses sight of the goal. Because if you want to win, the will can never retire, the race can never stop, and faith can never weaken.
This is my work ethic: I do not want to raise my future kids where I was raised, and I know the only way to do it is working, working, working, working, working.
I feel sometimes that there's this sense that people are poor because they want to be, or they're working-class because they want to be or because they don't work hard enough. I feel like there's this demonization of working people in general, but specifically definitely labor union members.
Working on 'Laguna' was great because just being in production and shooting stuff and having to go back and relive some things, and there were some lines here and there that the producers would want us to say, and just kind of, you're forced to recreate moments, and just working on the show was so much fun.
Relationship is like a job but you can't ever retire. When you stop working at it, it stops working.
I suppose I don't have to work, but I do love working. I class myself as a working-class girl, and I've never stopped working. When I'm offered shows here, there and the other, I do an awful lot because I feel other people would love to be offered what I'm offered; who am I to say no? I'm definitely working class, and I always will be.
I know that with my spinal condition I can never be full time again - I just can't do that, but I do wanna be full time, and I don't want to retire.
What people really want to know from their doctor is, are you going to make me feel better? And what they really want to know from a president are, are you going to give me some security when it comes to my work? Because if I'm not working, my family is in trouble. And when I am working, the fact of the matter is, my whole family is doing better.
The happiest people I know are the ones that are still working. The saddest are the ones who are retired. Very few performers retire on their own. It's usually because no one wants them. Six years ago Sinatra announced his retirement. He's still working.
I have a little two-bedroom house and that's the way I like it. We live in a time where it's cool to present this luxurious lifestyle on social media. I don't want to be a part of something that makes people not be happy with their own life and crave this false sense of reality. I don't want people who are working that blue-collar job and barely getting by to feel bad. I don't want those people to feel like they're not doing something right because they're not flying around on jets or driving fancy cars. I never want to make them feel like they're not worthy.
Boxing is a full-body workout, and while you're in it and learning the procedures and steps, you're working out at the same time. Sometimes it don't feel like you're actually working out, which I like.
But at the same time I went down into the mines with working miners who are still young men, younger than I am, who are aware that their working life is coming to an end and they feel suddenly cut off.
I always collect images, maybe because I was working with historic material - but even if I were working with contemporary material, I would do the same thing. I keep a kind of index of them while I'm working. I find them incredibly useful, not so much to illustrate a time, but to give some sense of the feeling of a time.
When you're working with the same band you kind of know their style inside out, and even when you've been working for seven years with the same people, suddenly they'll do something you didn't even think they were capable of.
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