A Quote by Carl Linnaeus
The species and the genus are always the work of nature [i.e. specially created]; the variety mostly that of circumstance; the class and the order are the work of nature and art.
Related Quotes
All of my work is based on nature. I grew up in a rural environment and living in the Bay Area allows for immediate access to wonderful natural environs. Basically nature is my Genus Loci, or the place where my spirit resides.
People are still very uncomfortable with the idea that humans are not specially created species. I believe we are a fantastic species. But we are not created specially. That's very hard for people to accept in their day-to-day routine.
Nature is boundless in her powers, exhausting in her variety: the powers of Art and its capabilities of variety in production are bounded on every side. Nature herself, the infinite, has circumscribed the bounds of finite Art. The one is the divinity; the other the priestess.
One of the glories of society is to have created woman where Nature had made only a female; to have created a continuity of desire where Nature thought only of perpetuating the species; and, in fine, to have invented love.
In the wildest nature, there is not only the material of the most cultivated life, and a sort of anticipation of the last result,but a greater refinement already than is ever attained by man.... Nature is prepared to welcome into her scenery the finest work of human art, for she is herself an art so cunning that the artist never appears in his work.
Genius detects through the fly, through the caterpillar, through the grub, through the egg, the constant individual; through countless individuals the fixed species; through many species the genus; through all genera the steadfast type; through all the kingdoms of organized life the eternal unity. Nature is a mutable cloud which is always and never the same.
I don't know why you'd want to say your work comes from nature, because art is related to perception, not nature. All abstract artists try to tell you that what they do comes from nature, and I'm always trying to tell you that what I do is completely abstract. We're both saying something we want to be true.
Nature has introduced great variety into the landscape, but man has displayed a passion for simplifying it. Thus he undoes the built-in checks and balances by which nature holds the species within bounds.
Movement, change, light, growth and decay are the lifeblood of nature, the energies that I I try to tap through my work. I need the shock of touch, the resistance of place, materials and weather, the earth as my source. Nature is in a state of change and that change is the key to understanding. I want my art to be sensitive and alert to changes in material, season and weather. Each work grows, stays, decays. Process and decay are implicit. Transience in my work reflects what I find in nature.
An Individual, whatever species it might be, is nothing in the Universe. A hundred, a thousand individuals are still nothing. The species are the only creatures of Nature, perpetual creatures, as old and as permanent as it. In order to judge it better, we no longer consider the species as a collection or as a series of similar individuals, but as a whole independent of number, independent of time, a whole always living, always the same, a whole which has been counted as one in the works of creation, and which, as a consequence, makes only a unity in Nature.
But we must here state that we should not see anything if there were a vacuum. But this would not be due to some nature hindering species, and resisting it, but because of the lack of a nature suitable for the multiplication of species; for species is a natural thing, and therefore needs a natural medium; but in a vacuum nature does not exist.
Nature is mighty. Art is mighty. Artifice is weak. For nature is the work of a mightier power than man. Art is the work of man under the guidance and inspiration of a mightier power. Artifice is the work of mere man, in the imbecility of his mimic understanding.
Nature as it is-nature with nothing selected or discarded from it-cannot become a work of art.
To be the agent whose touch changes nature from a wild force to a work of art is inspiration of the highest order.
I can't edit the materials I work with. My remit is to work with nature as a whole. I find nature as a whole disturbing. Nature can be harsh – difficult and brutal, as well as beautiful. You couldn't walk five minutes from here without coming across something that is dead or decaying.
If you work with love and intelligence, you develop a kind of armour against people's opinions, just because of the sincerity of your love for nature and art. Nature is also severe and, to put it that way, hard, but never deceives and always helps you to move forward.
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