A Quote by Carl Paladino

I see a New York where people who are down on their luck can get back on the road to responsibility, a job and dignity. — © Carl Paladino
I see a New York where people who are down on their luck can get back on the road to responsibility, a job and dignity.
I see a New York where there is no barrier to the God-given potential of every New Yorker. I see a New York where everyone who wants a good job can find one. I see a New York where the people can believe in a grounded government again.
When I was forty, I was getting divorced, living in a low-class, dirty hotel in New York. My mother was dying of cancer. I owed $20,000. That was about the lowest. I came back to show business, and I couldn't get a job. I was turned down by every small-time agent in New York.
When I go back to New York all these years later, I'll walk down Seventh Avenue, and I'll hear, 'Yo, Oz!' In New York, I get recognized for that all the time.
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
New York is very intense. Every time I go back to New York, I'm starting from scratch. You could have all these achievements - records, a tour - and then you get home and get back to the basics. It whips you into shape.
If you are going down a road and don't like what's in front of you, and look behind you and don't like what you see, get off the road. Create a new path!
In New York the stakes are so high. In urban centers the stakes are so high. You marry the wrong person, you go to the wrong college, you take the wrong job. Any of these things could really get you in trouble down the road. Or in your mind anyway. You're afraid to make any move, it's paralyzing.
I live in L.A. so I don't get to see much theatre anymore. They have a lot of touring shows but it's not like New York - I lived in New York for 15 years and you can walk out on the street and there's something to see.
I believe life is a series of near misses. A lot of what we ascribe to luck is not luck at all. It's seizing the day and accepting responsibility for your future. It's seeing what other people don't see And pursuing that vision.
Way back in the day, I used to cook for Thomas Keller at Rakel in New York City. Keller is a down to earth, kind, supportive person. I wish people could see that.
Eventually, I decided that if I was going to really write a novel, I couldn't do it in New York City while holding down a job. You need a constant money source to live in New York City unless you're independently wealthy, which I'm not.
Highly resilient people are flexible, adapt to new circumstances quickly, and thrive in constant change. Most important, they expect to bounce back and feel confident that they will. They have a knack for creating good luck out of circumstances that many others see as bad luck.
I have friends in New York that won't leave New York, and they're really talented people, but they'd rather take an acting class in New York than do a play in Florida or Boston. That's just weird to me, but they get into that I've-got-to-be-in-the-center-of-the-universe mentality. I'm not that way.
I spent a whole year in New York without going back to France. And I always came back because my mother was living in New York since I was 13. So I went to summer camps, hang out at the Roxy, go to class for ballet, so I always had part of my life in New York.
Last week, I approved a mission over New York. I take responsibility for that decision. While federal authorities took the proper steps to notify state and local authorities in New York and New Jersey, it's clear that the mission created confusion and disruption. I apologize and take responsibility for any distress that flight caused.
I quit comics in 1988 and trained as a bus driver. I used to drive those big Greyhound coaches out of New York Port Authority and down to Princeton, New Jersey. It was, hands down, the best job I ever had, and I profoundly regret having left it. I kept that job the entire time I was on staff at DC Comics in the '90s.
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