A Quote by Carl Reiner

I wrote three books about growing up in the Bronx. — © Carl Reiner
I wrote three books about growing up in the Bronx.
I chose 'BronxWorks' because I'm from The Bronx, and I got raised in The Bronx, and I just know the struggle and how it is growing up in The Bronx.
When I was growing up, a lot of books affected me, but I never wrote letters to the author or anything like that. I'm always mindful that there are probably a whole bunch of people reading my books like that, too.
For 30 years I wrote for newspapers and magazines, wrote books on the Dallas Cowboys' dynasties of the '70s and '90s, wrote about Michael Jordan in Chicago and Barry Bonds in the Bay Area, even wrote columns for ESPN.com from 2004 to 2006.
I wrote three books, I had three greenhouses. It seemed to me to be very satisfactory.
I wrote 'Yellow Submarine' for the Beatles. I wrote the screenplay for 'The Games,' about the Olympic Games. I wrote 'Love Story,' both the novel and the screenplay. I wrote 'RPM' for Stanley Kramer. Plus, I wrote two scholarly books and a 400-page translation from the Latin, and I dated June Wilkinson!
When I was growing up the publishing world seemed so far away. When my mother wrote a book, she would look up the address of publishers on the backs of the books she owned and send off her manuscript.
I grew up in the Bronx. The Bronx teaches you to survive. It's like, 'Bring it on!'
When I say myself, I don't mean just as a woman of color, as a girl who's growing up in the Bronx, as people growing up in some way economically-challenged, not growing up with money. It was also even just the way we spoke. The vernacular. I learned that it's alright to say "ain't." My characters can speak the way they authentically are, and that makes for good story. It's not making for good story to make them speak proper English when nobody speaks like that on the playground.
One wouldn't want to say that what makes a good writer is the number of books that the writer wrote because you could write a whole number of bad books. Books that don't work, mediocre books, or there's a whole bunch of people in the pulp tradition who have done that. They just wrote... and actually they didn't write a whole bunch of books, they just wrote one book many times.
My life growing up was a twisted Bronx version of The Color Purple. It had a much different soundtrack and no trees, but that desperation was the same.
My life growing up was a twisted Bronx version of 'The Color Purple.' It had a much different soundtrack and no trees, but that desperation was the same.
I wrote a book. It sucked. I wrote nine more books. They sucked, too. Meanwhile, I read every single thing I could find on publishing and writing, went to conferences, joined professional organizations, hooked up with fellow writers in critique groups, and didn't give up. Then I wrote one more book.
You know what I did after I wrote my first novel? I shut up and wrote twenty-three more.
Well, this is a story about books." About books?" About accursed books, about a man who wrote them, about a character who broke out of the pages of anovel so that he could burn it, about a betrayal and a lost friendship. It's a story of love, of hatred, and of the dreams that live in the shadow of the wind." You talk like the jacket blurb of a Victorian novel, Daniel." That's probably because I work in a bookshop and I've seen too many. But this is a true story.
I'll be in 'The Get Down' from the creator Baz Luhrmann, and it takes place in the '70s with South Bronx kids growing up at the rise of hip-hop and really when the city was at its financial worst. It's about teens struggling with violence, drugs and gangs and trying to find solace in music and all that good stuff.
I wrote 'Airborn' after completing three books about bats. I loved my bats, but what a treat it was to write about humans again. They could eat food other than midges and mosquitoes, they wore clothing, they slept in beds - all this struck me as wonderfully novel.
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