A Quote by Carl Sagan
We hunger to understand, so we invent myths about how we imagine the world is constructed - and they're, of course, based upon what we know, which is ourselves and other animals. So we make up stories about how the world was hatched from a cosmic egg or created after the mating of cosmic deities or by some fiat of a powerful being.
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Myths of the heroes are cosmic creation myths in microcosm. They depict, in no matter how subtle variation, the eternal battle we wage to release the creative energies within ourselves and in the world.
There are studies that have shown that we make decisions, ethical and otherwise, based on the way we imagine ourselves as characters in the stories of our lives. In other words, if we imagine ourselves brave or crazy or open, we're more likely to make decisions in a given situation based on how we imagine ourselves, whatever the facts may be.
What can be said about chronic hunger. Perhaps that there's a hunger that can make you sick with hunger. That it comes in addition to the hunger you already feel. That there is a hunger which is always new, which grows insatiably, which pounces on the never-ending old hunger that already took such effort to tame. How can you face the world if all you can say about yourself is that you're hungry.
Art is about cosmic beauty. Science is about cosmic order. Religion is about cosmic purpose.
We still like to make up stories, just as our ancestors did, which use personification to explain the great forces of our existence. Such stories, which explain how the world began or where the sun goes when it sets, we call myths. Mythology is a natural product of the symbolizing mind; poets, when not making up myths of their own, are still commanding ancient ones.
I want people to see that the cosmic perspective is simultaneously honest about the universe we live in and uplifting, when we realize how far we have come and how wonderful is this world of ours.
There's so many mysteries related to how flies are able to make their way through the world. I'd certainly like to know a lot more about how their brain works. I'd certainly like to know a lot more about just how they're put together. I mean, these animals are basically, topologically, spheres. They don't have bones as we do, of course.
Sometimes we talked about the nature of the human soul and about the Cosmic Unity of souls that I had believed in so firmly when I was 15 years old. My mother did not like the phrase Cosmic Unity. It was too pretentious. She preferred to call it a world soul.
He would talk to them of stories and books, and explain to them how stories wanted to be told and books wanted to be read, and how everything that they ever needed to know about life and the land of which he wrote, or about any land or realm that they could imagine, was contained in books. And some of the children understood, and some did not.
What I think is great about Pippin, specifically, and I wouldn't make this generalization about all musicals, is that it is about how we tell stories and the way stories are very subjective. How we tell some things and leave other things out in the way The Princess Bride is or The Wizard of Oz is, which both have a framing device.
How much can we ever know about the love and pain in another's heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known? Even if the world's rich and powerful were to put themselves in the shoes of the rest, how much would they really understand the wretched millions suffering around them? So it is when Orhan the novelist peers into the dark corners of his poet friend's difficult and painful life: How much can he really see?
Most of the younger people I knew didn't seem to have a handle on things; they hadn't found their place, they didn't understand how the world works, they didn't understand how to treat other people, and they didn't know how to stop thinking about themselves.
How impossible it is for us to imagine ourselves victims of disaster. We suffer for the poor people who were thrown into the sea from their cruise ship off the coast of Tuscany, some losing their lives. Imagine a world of accelerating natural disasters, one after the other so that nobody can help anyone else.
Those who see the cosmic perspective as a depressing outlook, they really need to reassess how they think about the world. Because when I look up in the universe, I know I'm small but I'm also big. I'm big because I'm connected to the universe, and the universe is connected to me.
Those who see the cosmic perspective as a depressing outlook, they really need to reassess how they think about the world. Because when I look up in the universe, I know I'm small but I'm also big. I'm big because I'm connected to the universe and the universe is connected to me.
Both dreams and myths are important communications from ourselves to ourselves. If we do not understand the language in which they are written, we miss a great deal of what we know and tell ourselves in those hours when we are not busy manipulating the outside world.
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