A Quote by Carl Sandburg
Poetry is a theorem of a yellow-silk handkerchief knotted with riddles, sealed in a balloon tied to the tail of a kite flying in a white wind against a blue sky in spring.
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Not only does a lens distort forms, but the ordinary plate makes an unholy mess of colour in its tone relations. Yellow becomes black, and blue white. Black sunflowers against a white sky - what a travesty!
The digital sunset always looks better than the real thing, always. Because a sunset generated by the basic package of yellow sun and blue sky is unreliable. Today it may be stunning, hypnotic. Tomorrow it may be lifeless and dull, a white sky scorched with yellow. Tomorrow the sky will be velvet.
I let my head fall back, and I gazed into the Eternal Blue Sky. It was morning. Some of the sky was yellow, some the softest blue. One small cloud scuttled along. Strange how everything below can be such death and chaos and pain while above the sky is peace, sweet blue gentleness. I heard a shaman say once, the Ancestors want our souls to be like the blue sky.
The fields are snowbound no longer;
There are little blue lakes and flags of tenderest green.
The snow has been caught up into the sky-
So many white clouds-and the blue of the sky is cold.
Now the sun walks in the forest,
He touches the bows and stems with his golden fingers;
They shiver, and wake from slumber.
Over the barren branches he shakes his yellow curls.
Yet is the forest full of the sound of tears....
A wind dances over the fields.
Shrill and clear the sound of her waking laughter,
Yet the little blue lakes tremble
And the flags of tenderest green bend and quiver.
There is a town in north Ontario,
With dream comfort memory to spare,
And in my mind
I still need a place to go,
All my changes were there.
Blue, blue windows behind the stars,
Yellow moon on the rise,
Big birds flying across the sky,
Throwing shadows on our eyes.
This unlikely story begins on a sea that was a blue dream, as colorful as blue-silk stockings, and beneath a sky as blue as the irises of children's eyes.
The history omankind seems like kite flying; sometimes, when the wind is favorable, we let go the string a little and the kite soars a little higher; sometimes the wind is too rough and we have to lower it a little, and sometimes it gets caught among the tree branches; but to reach the upper strata of pure bliss-ah, perhaps never.
I am iron butterfly ... / I am she/we / of flesh / and iron / and silk wings, / healing, flying / into a gentle blue sky.
I'm not falling anymore. That's what L says, and she's right. I guess you could say I'm flying. We both are. And I'm pretty sure somewhere up there in the real blue sky and carpenter bee greatness, Amma's flying, too. We all are, depending on how you look at it. Flying or falling, it's up to us. Because the sky isn't really made of blue paint, and there aren't just two kinds of people in this world, the stupid and the stuck. We only think there are. Don't waste your time with either-with anything. It's not worth it.
Someone once told me that children are like kites. You struggle just to get them in the air; they crash; you add a longer tail. Then they get caught in a tree; you climb up and bring them down, and untangle the string; you run to get them aloft again. Finally, the kite is airborne, and it flies higher and higher, as you let out more string, until it's so high in the sky, it looks like a bird. And if the string snaps, and you've done your job right, the kite will continue to soar in the wind, all by itself.
I never realized that the blue sky I saw was not the soft, nurturing sky of spring, but the cold, chilling, lonely sky of winter
A kite can't really fly free,that's just an expression. In order to soar high in the sky the string of a kite needs to be anchored. If the string breaks the kite drops back to the ground. The kite's freedom depends on it not being as free as he thinks it is.
To exaggerate the fairness of hair, I come even to orange tones, chromes and pale yellow ... I make a plain background of the richest, intensest blue that I can contrive, and by this simple combination of the bright head against the rich blue background, I get a mysterious effect, like a star in the depths of an azure sky.
At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.
The jet stream is a very strong force and pushing a balloon into it is like pushing up against a brick wall, but once we got into it, we found that, remarkably, the balloon went whatever speed the wind went.
So, probably … when I started painting the pelvis bones I was most interested in the holes in the bones — what I saw through them- particularly the blue from holding them up in the sun
against the sky as one is apt to do when one seems to have more sky than earth in one’s world … they were most beautiful against the Blue — that Blue that will always be there as it is now
after all man’s destruction is finished.
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