A Quote by Carl Sandburg

Drum on your drums, batter on your banjos, sob on the long cool winding saxophones. Go to it, O jazzmen. — © Carl Sandburg
Drum on your drums, batter on your banjos, sob on the long cool winding saxophones. Go to it, O jazzmen.
I remember doing "As Cool As I Am" and Steve Miller, the producer, saying "I really hear a drum loop here. I want to play it for you." When I wrote it, I thought, "This isn't going to sound very folky. I don't think it's going to go with mandolins and banjos." Then he played the loop for me and it sounded right.
With a computer, you have access to so many drum sounds and samples that your snare drum will be unrelated harmonically to your kick drum.
My dad was a kind of semiprofessional Dixieland-type drummer, and I learned the drums from him. When I was about twelve, we bought our first Ludwig drum set from a pawnshop - a marching-band bass drum, great big tom-toms, and big, deep snare drums.
You can't do everything, at the same time, always, and forever. But if you look at your life and your career as a long, winding river, you can get to your destination.
Go-go is so drum and Congo based. It's almost like music from Africa. The drums like on 'Planet Paradise' are deeply African-rooted. It's really bouncy and the same speed as go-go music. That's an example of the influence go-go had on me.
One of the instruments that really stuck out to me was the talking drum, which is basically the first type of communication device. It's a drum you put on your shoulder, and you can pitch it with your arm, and you can 'talk' with it.
Don't quit. Never give up trying to build the world you can see, even if others can't see it. Listen to your drum and your drum only. It's the one that makes the sweetest sound.
I love the percussion. It's a right brain, left brain thing. There are different beats, but cooperating together. It's your whole body doing it, you're doing the snare drum and the high top with your hands and the bass drum with your foot. You're this whole motion machine.
I felt like I plateaued at playing drums, like I wasn't getting any better. I bought an electric pair of drums, sold my drum set, and got introduced to making beats.
I played the drums. I basically started off in drum line. So it was just straight percussion. Then I got into the drum set. I was in the jazz band and then all through high school I was in orchestra.
I love to talk about the drums and music. I started playing drums when I was probably six and played a lot until I was about ten or eleven years old. So, I guess five or six years where I played. I had a drum set at home, and I would just bang on it. I'd even go on the Internet and study basic beats and so forth.
My cousin Joey played the drums. We used to go to his house, I liked beating on his drums. I beat the hell out of 'em, you know? Finally in 1961, I don't know, I guess I was about 15, I got serious about it. My parents bought me a little drum set and I was playing for about 6 months when I started doing gigs.
For this moment, this one moment, we are together. I press you to me. Come, pain, feed on me. Bury your fangs in my flesh. Tear me asunder. I sob, I sob.
Louis Armstrong changed all the brass players around, but after Bird, all of the instruments had to change - drums, piano, bass, trombones, trumpets, saxophones, everything.
I've always loved the mixture of crushing live drums with a programmed groove, that really cool blend, like in the verse there's a really funky drum beat that is programmed then it comes in to the chorus; you've got that enormous human feel where the band kicks in.
Your attitude will go a long way in determining your success, your recognition, your reputation and your enjoyment in being a lawyer.
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