A Quote by Carl Sandburg

Poetry is a fossil rock-print of a fin and a wing, with an illegible oath between. — © Carl Sandburg
Poetry is a fossil rock-print of a fin and a wing, with an illegible oath between.
You are also asked to take an oath, and that's the oath of service. The oath of service is not to secrecy, but to the Constitution - to protect it against all enemies, foreign and domestic. That's the oath that I kept, that James Clapper and former NSA director Keith Alexander did not. You raise your hand and you take the oath in your class when you are on board. All government officials are made to do it who work for the intelligence agencies - at least, that's where I took the oath.
Stadium rock and commercial rock are the opposite of what poetry needs. An audience of around 200 is ideal for poetry.
Speaking of people I had to exclude: Hank Williams. which is to say, songs are part of lyric poetry in my book, my thinking. In fact they are the urgent element of poetry in our time, they carry the most emotion for the most people in our culture. everyone LOVES poetry, because we all love (one form or another) of rock and roll (be it folk to emo to rap). It's all rock and roll and all lyric poetry.
The oath adds nothing to the obligation. For a covenant, if lawful, binds in the sight of God, without the oath, as much as with it; if unlawful, bindeth not at all, though it be confirmed with an oath.
Language is fossil Poetry.
There's nobody between you and the print. Nobody. It's you and the subject and the final print. And if you get it published that way, you've said it.
When I was a kid, I saw Mardi Gras in New Orleans. So to me Party Rock was always wear your animal print, bring your no-lenses glasses, dress up in a bunch of colors and have fun. Animal print is a must.
What you have in the Middle East is tension not between Jews and Arabs, not between Israelis and Palestinians, but between the radical wing and the moderate people.
I came into music because I thought the presentation of poetry wasn't vibrant enough. So I merged improvised poetry with basic rock chords.
There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.
I feel like the Earth is a re-print of a re-print of a print of a re-print.
I love a wild animal print. Not just a leopard print - I'm talking about a tiger or zebra print, too.
I came into music because I thought the presentation of poetry wasn't vibrant enough. So I merged improvised poetry with basic rock chords. That was my original mission.
I'm not really a musician. I'm a performer, and I love rock n' roll. I've embraced rock n' roll because it encompasses all the things I'm interested in: poetry, revolution, sexuality, political activism - all of these things can be found in rock n' roll.
I use rock and jazz and blues rhythms because I love that music. I hope my poetry has a relationship with good-time rock'n roll.
Poetry is a dangerous profession between conflict and resolution, between feeling and thought, between becoming and being, between the ultra-personal and the universal - and these balances are shifting all the time.
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