A Quote by Carl Sandburg
We don't have to think up a title till we get the doggone book written.
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Titles are very hard. Sometimes a title comes before I start to write the book, but often I finish the book and I still don't have a title. I have to go through the book again and then sometimes I hope a title jumps out at me from what I've written.
When I choose the title [for my book], which was my favorite title, I felt sure there was going to be a dozen books maybe with that name already because it's so obvious to me that that's the message. I was surprised it hasn't been the title of a single book. Well, there is a Shel Silverstein children's book called Falling Upwards. But no one has chosen Falling Upward as a title and I'm very happy it's right on the cover.
To gain the book, one must give up all hope for the book. It is the only way the book can get written.
Many people think that it is important to have a title before you begin writing the book, but I think you should never sit around waiting for the right title to strike before you start writing. Crack on with the story, put in the hard work, and the title will come eventually.
You know, I think I had a great career; there's not much I think I'd do different other than get a title shot much earlier. I didn't get one till 49 or 50 fights into my career.
I had thought up the title, 'The Good Luck of Right Now,' several years ago. I had no idea what it meant or what the book would be about but I thought, 'Someday I'm going to write a book with that title.'
The book I am best known for, or only known for, is a novel I am prepared to repudiate: written a quarter of a century ago, a jeu d'esprit knocked off for money in three weeks, it became known as the raw material for a film which seemed to glorify sex and violence. The film made it easy for readers of the book to misunderstand what it was about, and the misunderstanding will pursue me till I die. I should not have written the book because of this danger of misinterpretation.
The book written against fame and learning has the author's name on the title-page.
My favorite thing is coming up with titles. The majority of the songs I've every written I've always thought of the title before I've written the song.
Regrettably, with '2001' having a title that had a year in it, science fiction essentially set itself up in the public's imagination as saying, 'Here's what you get if you wait to that year.' Well, we all waited till that year, and we didn't get anything at all like that.
Books written out of fire give me a great deal of pleasure. You get the sense that the world for these writers could not have continued if the book hadn't been written. When you come across a book like that it is a privilege.
bergeron's epitaph for the planet, i remember, which he said should be carved in big letters in a wall of the grand canyon for the flying-saucer people to find was this: WE COULD HAVE SAVED IT, BUT WE WERE TOO DOGGONE CHEAP. only he didn't say "doggone.
I think in some ways, you end up with more interesting storytelling with series, because if you've written yourself into a corner with something in book 1, you have to be cleverer to get out of it.
I began writing books after speaking for several years and I realize that when you have a written book people think that you're smarter than you really are if I can joke. But it's interesting. People will buy your book and hire you without reading the book just because you have a book and you have a book on a subject that they think is of interest to themselves or e to their company.
[On her and husband Michael Dorris:] We both have title collections. I think a title is like a magnet. It begins to draw these scraps of experience or conversation or memory to it. Eventually, it collects a book.
I'm hungrier than all of them. They didn't put in the effort that I did to get the title. So I don't care what it takes - I'm not giving up that title. I worked too hard to get it, and I'm not going to lose it.
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