A Quote by Carla Bruni
When I was having my hair and make-up done backstage at a fashion show, I would sneak in a copy of Dostoevsky and read it inside a copy of Elle or Vogue. But it would be pretentious of me to say I was more intelligent than the other supermodels.
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We buy a copy of 'Gravity's Rainbow,' say, and we carry our copy home. We open it; we fall into it. And it is here that the word 'copy' fails. Because what I experience when I read 'Gravity's Rainbow,' or 'Beloved,' or 'The Moviegoer,' is not at all a 'copy' of what you experience when you read the same novel.
It's terrifying the way molecular biology has become more and more jargon ridden. But I strongly believe that my book can be read by the intelligent layman. I want everyone who bought a copy of 'A Brief History of Time' to buy a copy of 'Genome'.
Start copying what you love. Copy copy copy copy. At the end of the copy you will find your self.
The credibility of the work depends on copy editors. I would argue with the copy desk, but I would thank them more.
You mustn't expect me to repeat myself. My past doesn't interest me. I would rather copy others than copy myself. In that way I should at least be giving them something new. I love discovering things.
Real failure comes when we consider ourselves good enough at something to be able to repeat it rather than to develop it. "Success is dangerous," the painter Pablo Picasso said. "One begins to copy oneself, and to copy oneself is more dangerous than to copy others. It leads to sterility."
Philip Glass once told me, "They can always copy what you've done, but they can't copy what you're going to do."
Success is dangerous. One begins to copy oneself, and to copy oneself is more dangerous than to copy others. It leads to sterility.
I know from having had a child, and from having been a child myself, that children will copy you. So, the best way to get them to read, is to read. The best way to get them to do anything is to do it yourself, and they will absolutely copy you. That way, you don't have to worry about what's supposedly age appropriate, a child will pick something up when the child is ready.
I've probably done the odd thing. I've probably done more than I would have done and some things you don't say no to. You don't say no to working with "The Simpsons"... the greatest comedy show on television. You mustn't. Even though going to my bad judgment, I remember saying that all I can do is make this show slightly worse.
Alexander Liberman was very smart, very elegant. At the end, he didn't have much patience with me because I was a young, anxious, nervous photographer. I worried that I was copying too many other people. And he said, "It's all right to copy people, as long as the people you copy are good and you copy them well."
I was spurred by the fact that having worked for women's magazines myself as a journalist, if you go off and interview a female celebrity, I'd just go in and interview them like I'd interview any human being and talk about the things that interested me. And you'd come back, and you'd file your copy. And then my editor would read through my copy and go, why haven't you asked them if they want kids? And I'd be like, well, I don't know, I interviewed Aerosmith last week. And I didn't ask them that.
I love magazines. I always read 'Time,' 'Newsweek' and 'The Economist.' When I get my hair cut, French 'Vogue,' French 'Elle,' 'Paris Match' - I read them all in 10 minutes.
The business of judging a headline AFTER you read the copy is wrong. It takes for granted that everybody reads the copy.
With all the new media outlets out there, with all the noise, a voice of authority and calm like Vogue becomes more important than ever. The more eyes on fashion, the more opinions about fashion, the more exploration of fashion around the world, the better it is for Vogue. Vogue is like Nike or Coca-Cola—this huge global brand. I want to enhance it, I want to protect it, and I want it to be part of the conversation.
People can copy what you've done, but they can't copy what you still want to do.
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