A Quote by Carla Bruni

My mother was a classical pianist and my stepfather was an industrialist who was passionate about composing contemporary music. — © Carla Bruni
My mother was a classical pianist and my stepfather was an industrialist who was passionate about composing contemporary music.
My mother was an opera singer and my grandmother a concert pianist, and they only liked classical music. If I put on a pop record, they would tell me to turn it off, so I only listen to classical.
The people who raised me musically are my mother, who is a classically trained pianist, and my stepfather.
My father was a classical pianist, and my mother was a singer of just about everything.
Shook is the musical universe I created. I come from a classical and jazz background and my father is a jazz pianist, so my world bears largely the marks of this influence. As a sort of gateway, I started composing my own music on the computer at the age of 13. Before Shook, I had not yet discovered the kind of music I wanted to dedicate myself to, so I did a little of everything.
Obviously there are pieces of classical music that are some of the most beautiful music ever written, for me anyway is a lot of classical or contemporary music, so it's a different kind of space that you enter when you're listening to it.
I could create music that sounded as strange as any electronic music, because you see, my opinion about electronic music is that the real composer is the guy who invented the instrument. Pressing buttons is not composing. Composing is about creating something.
Watching my stepfather and mother working in the industry - acting and composing - and seeing firsthand how difficult it is to achieve a successful career in the theater, I thought it might be safer to go to art school with the aim of becoming a painter.
My training in music has been very eclectic - as first a flute player from classical chamber music to jazz, Greek, Brazilian and African music to contemporary concert music.
So many people report to be contemporary dancers, and they're not. They are sort of jazz dancers that feel like they're throwing a bit of classical in there. I mean, a true contemporary dancer has got ballet as their base and classical ballet, and that is their base. And then they choose to extemporize on that and go into a contemporary world.
That's why I'm so passionate about making music for movies because you dive in and find the best ideas to bring tolife a collective piece of art. ... [Composing] is not a job for me. And that explains why I never stop. Even though it's tough on your body and your brain and the sacrifices you have to make, what can I do? I'm passionate about it so I never stop.
My parents met in music school, and my father was a music professor and conductor. Growing up, we always had classical and contemporary music playing.
In fact although I have studied in a Conservatory the classical piano, I do not consider myself a classical pianist.
Classical music is something that we're very passionate about, but we always thought it was presented in a stuffy way.
My parents met in music school and my father was a music professor and conductor. Growing up, we always had classical and contemporary music playing. There was a lot of Mozart and the Beatles.
When I do operas, I'm not really singing very classically. I have a classical background as far as being a pianist and an oboist, but my voice isn't really classical in the operatic sense. But I certainly have a classical sensibility, so I'm comfortable being in that world.
My mother and stepfather were in Vaudeville. And my stepfather was an alcoholic. It was a lot of roller coaster times. But it's all I knew. I think they did the best they could under the circumstances, with me and all the family.
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