A Quote by Carla Bruni

I am cursed with computers; something always goes wrong. — © Carla Bruni
I am cursed with computers; something always goes wrong.
We are all frustrated with computers, all the time... But we also always develop a relationship with computers these days - something my parents never had... there%u2018s always a kind of negotiation, sometimes you are in tune with it and other times you are fighting with it.
I think it is unnatural to think that there is such a thing as a blue-sky, white-clouded happy childhood for anybody. Childhood is a very, very tricky business of surviving it. Because if one thing goes wrong or anything goes wrong, and usually something goes wrong, then you are compromised as a human being. You're going to trip over that for a good part of your life.
I always, always go to my brother Rhys's house whenever something goes wrong and he'll always say 'you'll be alright, forget about it.'
Everything that goes outside the rules of Italian cinema has always been cursed.
When something goes wrong, smile, cause there's always a next play.
It’s wrong to hate. It always has been wrong and it always will be wrong! It’s wrong in America, it’s wrong in Germany, it’s wrong in Russia, it’s wrong in China! It was wrong in two thousand B.C., and it’s wrong in nineteen fifty-four A.D.! It always has been wrong, and it always will be wrong!
My tax return in the United States has to be kept on a special computer because their normal computers can't deal with the numbers. So I am constantly getting these notices telling me I haven't paid something when really it is just on the wrong computer.
Even before my parents died, I felt all the responsibility to my family. I don't know why. In any business, any relationship, if something goes wrong, I feel I am to blame. It's something inside me.
I am interested in the possibility that we are going to be wrong in the same way that history has indicated that mankind always is. It seems as though the history of ideas is the history of being wrong. And to me, that is a kind of continuum. It's a continual path that shows we don't always know something, but we're always shifting to a path that makes us feel more comfortable in the moment, even if that shift is wrong, and a new shift is destined to happen again.
I personally don't like to use as many effects because when you play live, something always goes wrong.
Everything is being run by computers. Everything is reliant on these computers working. We have become very reliant on Internet, on basic things like electricity, obviously, on computers working. And this really is something which creates completely new problems for us. We must have some way of continuing to work even if computers fail.
She didn't give George any too easy a time when she was alive. She was one of those semi-invalids – I believe she had really something wrong with her, but whatever it was she played it for all it was worth. She was capricious, exacting, unreasonable. She complained from morning to night. George was expected to wait on her, hand and foot and everything he did was always wrong and he got cursed for it. Most men, I'm fully convinced, would have hit her with a hatchet long ago.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
In music, if you hit a wrong note, people forgive you. In magic when something goes wrong, the entire art is destroyed.
People think computers will keep them from making mistakes. They're wrong. With computers you make mistakes faster.
I find so much writing colourless, small in its means, unwilling to take stylistic risks. Often it goes wrong; I am not the one to judge. Sometimes, I hope, it goes right.
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