A Quote by Carla Gugino

As a creative person, you need to sort of spread your wings and try different things out because each one really does inform the other. — © Carla Gugino
As a creative person, you need to sort of spread your wings and try different things out because each one really does inform the other.
I can't sit still for long and need creative outlets and think you should try different things. I mean, if you're a musician all of your life, you gotta try different things. I really believe you can have it all.
I absolutely loved working with Tim Burton because he is just a creative, outside of the box thinker. How he does things is fantastic. It is different - weird different - and he does things that are groundbreaking. They are courageous to do and once you do them you are like, 'Wow! That really does work!'
Each person assesses each other person's credibility on different dimensions, because people are strong and weak in different things.
It takes a number of different skill sets, I think, to try and be a good producer. You have to be very creative, but you also have to be incredibly financially minded. I jokingly say the job is kind of part cheerleader and part dictator. It is both of those things, because you have to make sure that people are doing what they need to be doing, but creatively you really need to be helping each person in every job across the crew. Cheering them on, keeping them inspired into doing their best work, and you have the director's vision in the forefront.
I think that when somebody, when people really have a connection with each other, they change each other. You become a different person, hopefully a better person, because of it.
When you have kids, it can be hard sometimes because you've got to find creative ways to spend time with each other. So with 'Lights Down Low,' I wanted to just write about all the things that we do to try to keep the love alive in creative ways, because you can't always go out on a date... but you can make a date at home.
Sometimes, a person who likes your work and a person who don’t will show up within milliseconds of each other to let you know how they feel. One does not need to cancel out the other, positively or negatively; if you’re proud of the work, and you enjoyed the work, that is what’s important.
We need each other to do things that we can't do for ourselves. If we are intimately connected with each other, we just give things to each other; if we don't know each other we find another way to handle it. If you think about it, each according to his or her abilities and each according to his or her needs is sort of the same thing as supply and demand.
I'm now doing three things: concerts, conducting, and teaching, and they each support each other. I learn to see things from different perspectives and listen with different ears. The most important thing that you need to do is really listen.
When things aren't working out, we have a tendency to say, 'Go do other things,' but you shouldn't do other things. You need to stay at your desk and continue to try to write. You need to insist on it.
When things aren't working out, screenwriters have a tendency to say, "Go do other things," but you shouldn't do other things. You need to stay at your desk and continue to try to write. You need to insist on it.
One of the fun things as an actor is to really spread your wings as wide as possible and do a variety of roles. I've been really lucky in that sense, I think.
I feel more like I'm a person who has so much to offer in different capacities that it would be a danger for me not to give myself a chance to spread my wings in all different directions.
What sort of difficulties would happen when people of different cultures try to come together to worship? Tiny little things such as let's tell jokes with each other.
I really took it in-house. The Constantine character has a kind of flesh-and-blood practical look at things that would seem, other people would use the word, occult or spiritual. But here, demons are real. So for me it was more taking it from the film itself. I didn't really need to go outside the piece itself to inform me because the perspective on it, what the character does, was provided by the script.
As far as possible, Arianne realized, each soul had to be content alone before plunging into love, because one never knew when the other would move out of that love. It was the greatest paradox: Souls need each other, but they also need to not need each other.
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