A Quote by Carla Gugino
When a sports movie really works, it gets you on all levels, because the stakes are high. It's black and white. It's win or lose.
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This is sports. In sports, you win and you lose. That's the nature of sports. You can't get away from that part of it. And if you get too hung up on the losing part, then you miss the boat. The competition part, a game like that, is why you play sports. That is as good as it gets.
I got a little bit of a sense for the subculture, which is the equivalent of any subculture, really. The stakes are high, even if you live in a small town. It's like the annual bass fishing contests, or whatever it is. The stakes are always absurdly high, and this is no different. The competition at this butter carving things, from what I understand, is not that far off from what we're depicting in the movie.
I just think that sports movies have such a built-in visceral, rooting interest, an epic win or lose redemptive quality. When they get it right, it can make for a really rousing movie experience.
A black...gets a job with a white-owned company. He is the only black at the firm. He works hard, but he's fighting a losing battle against his genes.
When the students were asked to identify their race on a pretest questionnaire, that simple act was sufficient to prime them with all the negative stereotypes associated with African Americans and academic achievement. If a white student from a prestigious private high school gets a higher SAT score than a black student from an inner-city school, is it because she’s truly a better student, or is it because to be white and to attend a prestigious high school is to be constantly primed with the idea of “smart”?
It's about you. If you win, it's you; if you lose, it's you. Black and white. Nowhere to hide.
I think it's kind of human nature to always want to see these things as a competitive dynamic, that either technology companies have to win or the banks have to win and one of them is going to lose. It's not as black and white.
The stakes are so high because auditions are make or break. You get the job or you don't. The stakes are about as high as they get, for yourself and your own self-esteem.
One lesson is that if you want to predict voter turnout, you should ask whether at least one candidate is attracting high levels of enthusiasm - not whether the stakes are high, or even perceived to be high. That fits the historical pattern.
I myself saw the great works of Western civilization for the first time in my high school in Lithuania in bad black-and-white reproductions on miserable paper. That was, for many years, what art was for me. But from those miserable black-and-white reproductions, I got something, something unmistakable.
I think 'The Thing' is so good because it's not just a scary movie. It's also social commentary, which works on multiple levels, which is something I really respond to.
There was also a sense that if he [Obama] did not win in Iowa, that it was very unlikely that he would be able to come back and win the Democratic nomination and win the general election. It was sort of an all-or-nothing bet. The stakes were that high.
The older you get, the more you start to realize that you can't win an argument in a relationship. You can't win a fight with your woman. Because if you lose, you lose. And if you win, you lose.
As the lone black host at two different all-sports stations, black callers and listeners dominated my show. Black advertisers did not. The show was financially supported primarily by white businesses, and the largest demographic for listener growth was white males.
Win or lose, everybody gets what they want out of the market. Some people seem to like to lose, so they win by losing money.
I just hate when things get labeled as "black movies." I don't say, "Oh, this weekend, I want to see an all-white movie," or "I want to see a black movie." I just go to a movie because I saw the previews and I relate to it. I want to see it because the previews look interesting.
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