A Quote by Carla Gugino

I always feel like I want to work with people who raise my game, and I can do the same for them, and we can jump off the cliff together. — © Carla Gugino
I always feel like I want to work with people who raise my game, and I can do the same for them, and we can jump off the cliff together.
I respect the people who work with me, and I respect the crowds in the stadiums - I just live the game and try to advise my players in the right moments. If that means I have to raise my arms and jump, I will raise my arms and jump if that is the best way to help them.
Love is scary, like anything else, whether you're falling in love, whether you're discovering love in something else...if you're really going to jump off the cliff, when you meet somebody that you love you're going to jump off that cliff, you've got to give them everything. And when you have a kid, it's on a much greater level.
I want the people of New Jersey to jump off a cliff like Kurt Vonnegut so I can show them how to fly. This way, nobody needs to grow any wings, which would be impossible anyway because we're humans and not some kind of bird.
When you jump off a cliff, is it better to land on jagged rocks or burning lava? I know this one. The answer is obvious: It doesn't matter where you land. You just jumped off a cliff.
With 'Horror Story', it really was, 'You're going to run; you're going to jump off this cliff, and trust that that Ryan Murphy is going to catch you.' So I just ran head-on into it and jumped off the edge of that cliff.
Sometimes you're gonna jump off a cliff and land flat on your face. Then you just get up and go again. But sometimes you dive off the cliff and start soaring with the eagles, and that's when you find new music, places that you've never been before.
If people are constantly falling off a cliff, you could place ambulances under the cliff or build a fence on the top of the cliff. We are placing all too many ambulances under the cliff.
But don’t let them talk you into anything you don’t feel comfortable with.” “They’re my friends.” “So what?” He shrugged. “If your friends walked off a cliff, would you do it too?” “Why would they walk off a cliff?” I asked in alarm. “Is someone having problems at home?
I always want to do things that are different. I don't want to be doing the same thing, the same performance constantly, and it feels like most people tell you that they are the same. However different you feel might approach them.
I felt really lucky in that I've gotten to know some of my favorite artists; I get to tell them how important they are to me. But that doesn't always make me want to work with people. I feel like if I'm going to work with somebody, it's because I feel like I actually have something to add to them.
When I have an exhibition, I usually arrange it so that if people want to, they can spend two hours there. That way, people who like it don't feel cheated when they go. I want them to walk into the exhibition space and look low and at other levels and angles. The same with emotions. I want them to be emotionally manipulated, to come out feeling something. I want them to laugh, smile, feel sad. Even if they feel angry, that's okay.
As a kid, when I got to the edge of a cliff I wanted to jump off. I didn't want to kill myself. I wanted to fly.
If I feel like if there's a few too many people on that path with me, then I want to jump off and find another one.
You can't jump off a cliff when you have already fallen off a bigger one.
Go jump off a cliff, Leah.
It's tough to know who's better in cliff diving. Like, you see a guy diving off a cliff and you go, Oh, man, a guy diving off a cliff! And then another guy'd dive- Oh, there's another guy diving off a cliff there. But you can't tell who's better, y'know? Like, uh- if you survive at all, hey, you're a great- you're a great cliff diver there. There's only two classifications in cliffdiving. There's, uh- 'Grand Champion' and then, uh- 'Stuff On a Rock.' Very hard to make a comeback in that sport, I'll tell you that.
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