A Quote by Carla Gugino

I generally make a sort of playlist for my iPod for whatever project I'm doing. — © Carla Gugino
I generally make a sort of playlist for my iPod for whatever project I'm doing.
When I'm driving I should make more of an effort with my iPod, but I'm too lazy to organise a playlist.
I like listening to my playlist on the iPod. I don't want radio with commercials.
Music is so powerful to me. I had my IPod and headphones, and my sad playlist. I kind of ventured off for just a little bit to get into the scene.
Snoop is a tour de force! It’s one of the smartest and most original books I’ve come across in a long time. I devoured it and then rushed over to clean up my desk and change my iPod playlist.
When generally people make race-based jokes to me - even if they're not technically racist, they're sort of based on me being Pakistani or whatever - on Twitter, you know, I block a lot of people who say something weird about my name or something. It does bug me generally, but it is all about context.
I have a playlist for every project that I do. I made one for 'Handmaid' before I got the job.
When I said yes to doing 'Queen's Gambit,' I was feeling burned out on directing and movie-wise wasn't sure what my next big project was going to be. So I said yes to doing this very different type of project that required a different skill set from me, sort of just to shake things up, if anything.
Right after the keynote in which Steve Jobs introduced the iPod Shuffle, I went backstage with one question in mind: What makes an iPod an iPod? By then - January 11, 2005 - I had staked my own claim to iPod expertise, having written a 'Newsweek' cover story about Apple's transformational music player, and I was writing a book on it.
I go to Comic-Con every year, generally with some project of some sort.
Life is too short to be doing work that doesn't make you feel happy and fulfilled. I'd rather wait for the right project, as opposed to just taking whatever is handed to me.
I don't see a lot of studio executives caring at all about what the culture is telling us. They think they make the culture. They're not out taking the temperature of things and using the results of whatever sort of cultural surveying they're doing to make movies. They're interested in doing things that people are already comfortable with, and taking those properties and filling them.
I generally travel with my laptop, a couple of great books, and my iPod.
I'm kind of loath to pick one project over another or whatever. You go into every film sort of thinking it'll be your best work, and that's necessary. I think in this business, you really have to be forward-looking the whole time. I think nostalgia is sort of the death knell for any artist.
I've got an iPod but I don't even use it. It's just that, you know, you've got to like plug it up to the computer. And then you've got to download songs. And put them in your playlist. I'd rather just get the CD and pop it in. I'm cool with the Discman. The Walkman.
What isn’t on my iPod playlist? I have very eclectic tastes. Jazz. Classic Rock. Hip Hop. Ska. Soul. Electronica.World Music. Funk. Blues. Chamber Music. Reggaeton. Gospel. And a whole lot of Prince. (I am a Minnesota gal through and through.)
I always have a few ideas that are percolating, and then after I've finished a book and it's a year later, and things are sort of festering and things are disgusting in my house and I have to get back to work, whatever project I keep thinking about is the one I end up working on. Sort of a very simple process of elimination.
This site uses cookies to ensure you get the best experience. More info...
Got it!