A Quote by Carlene Carter

I challenged myself to carry on the style of guitar that my grandmother did: the Carter scratch. — © Carlene Carter
I challenged myself to carry on the style of guitar that my grandmother did: the Carter scratch.
Jimi Hendrix is one of the main influences on why I wanted to play guitar. He really shook me. I think it was his whole style - the look and what he did with the guitar.
I'd probably get a much quicker and better result if I went to a really great guitar player for a certain style of guitar that I have a problem doing. But there is a challenge in figuring out if I can do that myself.
Basically, I grew up watching Carter girls on stage, watching my grandmother, my mom and my aunts perform. They used to say, 'Okay, Carter girls, you're on!'
It's cool to play the guitar, but to me it's even cooler to scratch a guitar backward and forward, to manipulate it with a turntable. Guitars can't do that themselves.
I'm a guitar player. I've carved out my own style of guitar music, so I don't look for inspiration with playing guitar.
Teddy Roosevelt... once said, 'Speak softly and carry a big stick.' Jimmy Carter wants to speak loudly and carry a fly swatter.
One thing I've noticed over the years is that young players - I mean 10- and 12-year-olds - really like my guitar style. There's something in my guitar style that they totally can latch onto and learn quickly, and then go from there to your Yngwie Malmsteens or your Steve Vais or whatever.
In high school, I decided I wanted to learn guitar, so I picked it up and starting teaching myself some basic chords and started playing with friends. Guitar inherently lends itself to be guitar music, especially when you're not good at guitar.
I just managed to convince my grandmother that it was a worth while that was something to do, you know, and when I did finally get the guitar, it didn't seem that difficult to me, to be able to make a good noise out of it.
My first deepening of spirituality came when I was 6, when I was moved from my grandmother and sent to live with my mother - whom I really did not know - who had moved to Milwaukee. Something inside myself knew that I was never going to see my grandmother again - I would be wasting my time to live in that space of wanting that.
In the '90s, I think I rediscovered my guitar. The Jam was obviously very guitar-based, but in the Style Council I just got really disillusioned with playing the guitar. The further it went on, the less and less I played, to a point where I couldn't pick it up any more.
People have used my songs and guitar style to teach guitar for a long time.
I love The Edge's guitar style; it is unique. There is an ancient world resonating in his guitar sound.
I listened to classical guitar and Spanish guitar, as well as jazz guitar players, rock and roll and blues. All of it. I did the same thing with my voice.
To me, he has his own style. He doesnt remind me any more of myself than I did (other tailbacks). I did things to remind people of Tony Dorsett, but it was a different style. Hes a guy who can catch balls like Marshall Faulk or somebody like that.
This is the bunch of songs I did first, and it's just the type of thing I do. I am a Carter Family girl, so the record is book-ended with Carter Family songs.
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